Tom Verlaine - Tom Verlaine / Dreamtime - COMPACT DISCS [CD]

Expanded CD reissue. Tom Verlaine is an American singer, songwriter and guitarist. He is best known as the front man of the New York City rock band Television. Cover was originally released in 1984. This has only been available on CD as an expensive European import containing flaws and omissions. We fixed the flaw the European import had on InchFive Miles Of YouInch so that it isn't cut off at the end and also added InchLindi-LuInch, which was missing. Our CD features the original American track listing and sequence, and adds 2 bonus tracks, InchYour Finest HourInch and InchFive Miles Of YouInch (Extended Version).

Califone is at the peak of it's powers on All My Friends Are Funeral Singers, it's sixth song based album. The long-awaited follow-up to 2006's acclaimed Roots and Crowns, the album is the strongest collection of songs in a career with no shortage of strength. TAll My Friends Are Funeral Singers is a dense collage of sounds, expertly formed into fully realized pop songs.

Digitally remastered edition. Released in 1980, Heartattack and Vine was Waits' final album on Elektra Asylum and it built on the raw blues approach of Blue Valentine with the incendiary title track, the funky, organ driven InchDowntownInch and the stomping NOLA blues of InchMr. SiegalInch. This album also contains some of Waits most popular ballads, including InchJersey GirlInch which was famously a hit for Bruce Springsteen. InchOn the NickleInch is a moving song about the homeless people who lived on 5th street in downtown LA, and InchRuby's ArmsInch is a beautiful song with a lovely Bach-like melody. Tom Waits is a critically acclaimed singer-songwriter, musician, composer and actor. His deep distinctive gravelly voice was described by critic Daniel Durchholz as sounding as though Inchit was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a carInch. Waits has built up a distinctive musical persona with his trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music.