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Tommy McClennan - 1939-1940 1 - COMPACT DISCS [CD]

SKU: 10557768

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Tommy McClennan's hoarse, shouted vocals, often with spoken asides, and rudimentary guitar style, worked from an intriguing palette. The diminutive singer managed to turn out a handful of country blues classics, including InchNew Shake Em On Down,Inch InchBottle It Up and Go,Inch and his signature tune, InchWhiskey Head Woman,Inch all of which are included here. Such is the excellence of the fidelity of the two volumes from Document that you can now enjoy Tommy McClennan almost as a living presence in your room or your car. They Chronicle his five sessions for Bluebird between November 1939 and February 1942. Born in Yazoo City in 1908 Tommy McClennan's story is stereotypical before he fell in with Honeyboy Edwards, Robert Petway and Tommy Johnson. Diminutive in stature but blessed with a loud hoarse voice, he came across as big, mean and ferocious - his guitar playing had a direct no-frills ability. The best of his compositions, 'Whiskey Headed Woman' provides best illustration of those gifts. He returned to the theme just over a year later and he was not afraid to mine other artist's seams ('Shake 'Em On Down', 'Bottle It Up'/ 'Shake It Up And Go', 'Sugar Mama'). Both takes of Hacksaw Harney's 'Cross Cut Saw' are included. On 'Deep Sea Blues', he offers up his reading of the blues standard 'Catfish', while 'Baby Don't You Want To Go' is, as you'd expect, his version of 'Sweet Home Chicago'; showing the range of his voice and featuring a brief hint of scat singing during the coda. More nonsense lyrics litter 'I'm Going Don't You Know', and his gravel throat is put to good use with 'Highway 51'. In contrast to his usual harsh delivery, 'My Little Girl' makes good use of atmospheric changes in volume - an approach to dynamics not often associated with McClennan. Though not regarded as one of the innovative originals of country blues, his interpretations are very enjoya

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  • Genre
    Blues
    Description
    Tommy McClennan's hoarse, shouted vocals, often with spoken asides, and rudimentary guitar style, worked from an intriguing palette. The diminutive singer managed to turn out a handful of country blues classics, including InchNew Shake Em On Down,Inch InchBottle It Up and Go,Inch and his signature tune, InchWhiskey Head Woman,Inch all of which are included here. Such is the excellence of the fidelity of the two volumes from Document that you can now enjoy Tommy McClennan almost as a living presence in your room or your car. They Chronicle his five sessions for Bluebird between November 1939 and February 1942. Born in Yazoo City in 1908 Tommy McClennan's story is stereotypical before he fell in with Honeyboy Edwards, Robert Petway and Tommy Johnson. Diminutive in stature but blessed with a loud hoarse voice, he came across as big, mean and ferocious - his guitar playing had a direct no-frills ability. The best of his compositions, 'Whiskey Headed Woman' provides best illustration of those gifts. He returned to the theme just over a year later and he was not afraid to mine other artist's seams ('Shake 'Em On Down', 'Bottle It Up'/ 'Shake It Up And Go', 'Sugar Mama'). Both takes of Hacksaw Harney's 'Cross Cut Saw' are included. On 'Deep Sea Blues', he offers up his reading of the blues standard 'Catfish', while 'Baby Don't You Want To Go' is, as you'd expect, his version of 'Sweet Home Chicago'; showing the range of his voice and featuring a brief hint of scat singing during the coda. More nonsense lyrics litter 'I'm Going Don't You Know', and his gravel throat is put to good use with 'Highway 51'. In contrast to his usual harsh delivery, 'My Little Girl' makes good use of atmospheric changes in volume - an approach to dynamics not often associated with McClennan. Though not regarded as one of the innovative originals of country blues, his interpretations are very enjoya
    Artist
    Tommy McClennan
    Title
    1939-1940 1
    Format
    CD
    Label
    Document
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Tommy McClennan - 1939-1940 1   - COMPACT DISCS [CD]
Tommy McClennan - 1939-1940 1 - COMPACT DISCS [CD]

Tommy McClennan's hoarse, shouted vocals, often with spoken asides, and rudimentary guitar style, worked from an intriguing palette. The diminutive singer managed to turn out a handful of country blues classics, including InchNew Shake Em On Down,Inch InchBottle It Up and Go,Inch and his signature tune, InchWhiskey Head Woman,Inch all of which are included here. Such is the excellence of the fidelity of the two volumes from Document that you can now enjoy Tommy McClennan almost as a living presence in your room or your car. They Chronicle his five sessions for Bluebird between November 1939 and February 1942. Born in Yazoo City in 1908 Tommy McClennan's story is stereotypical before he fell in with Honeyboy Edwards, Robert Petway and Tommy Johnson. Diminutive in stature but blessed with a loud hoarse voice, he came across as big, mean and ferocious - his guitar playing had a direct no-frills ability. The best of his compositions, 'Whiskey Headed Woman' provides best illustration of those gifts. He returned to the theme just over a year later and he was not afraid to mine other artist's seams ('Shake 'Em On Down', 'Bottle It Up'/ 'Shake It Up And Go', 'Sugar Mama'). Both takes of Hacksaw Harney's 'Cross Cut Saw' are included. On 'Deep Sea Blues', he offers up his reading of the blues standard 'Catfish', while 'Baby Don't You Want To Go' is, as you'd expect, his version of 'Sweet Home Chicago'; showing the range of his voice and featuring a brief hint of scat singing during the coda. More nonsense lyrics litter 'I'm Going Don't You Know', and his gravel throat is put to good use with 'Highway 51'. In contrast to his usual harsh delivery, 'My Little Girl' makes good use of atmospheric changes in volume - an approach to dynamics not often associated with McClennan. Though not regarded as one of the innovative originals of country blues, his interpretations are very enjoya

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The diminutive Tommy McClennan delivered 40-some tracks to Bluebird Records between 1939 and 1942 before vanishing into the haze of blues history. Although small in stature, McClennan had a strong, raspy voice that brought a lively exuberance to his often generic lyrics and his habit of tossing in spoken give his songs the feel of intimate dialogues. This collection is the second, and final, installment of McClennan's Bluebird sessions and his entire recorded output, released by Document Records. There are some highlights here, including two versions of Hacksaw Harney's InchCross Cut Saw Blues,Inch an interesting take on the InchCatfish BluesInch theme called InchDeep Blue Sea Blues,Inch and the final two tracks, two versions of InchBluebird Blues.Inch McClenan and his music was a direct link between the country blues of Mississippi and the Inchdown-home blues of Chicago.

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