Tommy Roe - Best of - COMPACT DISCS [CD]
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This product is an authorized manufactured on demand CD-R Album Tracks 1. Early in the Morning 2. Sheila 3. (Stop Complaining) We're Only Here for a While 4. Dizzy 5. Barbara Lou 6. Sweet Pea 7. Who I Used to Be 8. Some Such Foolishness 9. Who's That Lady 10. Everybody
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- GenreEasy listeningDescriptionThis product is an authorized manufactured on demand CD-R Album Tracks 1. Early in the Morning 2. Sheila 3. (Stop Complaining) We're Only Here for a While 4. Dizzy 5. Barbara Lou 6. Sweet Pea 7. Who I Used to Be 8. Some Such Foolishness 9. Who's That Lady 10. EverybodyArtistTommy RoeTitleBest ofFormatCDLabelCurb Special Markets
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Roe scored aTop 10 hit in 1963 with 'Everybody' and, although not a major chart entry, 'Sweet Pea' garnered considerable airplay through the auspices of pirate radio. The song reached the US Top 10, as did it's follow-up, 'Hooray For Hazel', but Roe's biggest hit came in 1969 when 'Dizzy' topped the charts on both sides of the Atlantic. [Note This product is an authorized CD-R and is manufactured on demand]. Album Tracks 1. Dizzy 2. Shelia 3. Everybody 4. Sweet Pea 5. Jam Up and Jelly Tight 6. Hooray for Hazel 7. (Stop Complaining) We're Only Here for Awhile 8. Who I Used to Be 9. Who's That Lady 10. Some Such Foolishness

It's creation led by pure emotion, Cate Le Bon's seventh record Michelangelo Dying usurped the album she thought she was making. The product of all-consuming heartache, her feelings overrode her reluctance to write an album about love, and in the process became a kind of exorcism. What emerges is a wonderfully iridescent attempt to photograph a wound before it closes up but which in doing so, picks at it too. Musically, there is a continuation and expansion of a sound a machine with a heart that has taken shape over her last two records (2019s Reward and 2022s Pompeii) as Le Bon has increasingly taken control of the playing and producing herself. As guitars and saxophones are pushed through pedals and percussion and voices are fed through filters, an iridescent, green and silky sound emerges, with flashes of the artistic singularities of David Bowie, Nico, John McGeoch and Laurie Anderson surfacing and disappearing below the waterline throughout. What were left with is an ever-changing, continuous entity, a kind of song cycle. Each iteration reflects and progresses the last, each one a shard of the same broken mirror shifting, glinting, concealing and revealing, depending on how it is turned in the light. There are ultimately, Cate asserts, No revelations. No conclusions. There is no reason. There is repetition and chaos. I eventually allowed myself a vacant mind to experience it without resistance and without searching for a revelation or order to any of it. An exercise in the viscerality of life, of love, of humanity for both listener and artist, Michelangelo Dying knows what it is to hold, to be held, and to be exquisitely, profoundly alone. The characters are interchangeable concludes Cate, but at the end of it all, it's me meeting myself. Album Tracks 1. Jerome 2. Love Unrehearsed 3. Mothers of Riches 4. Is It Worth It (Happy Birthday)? 5. Pieces of
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