Toyguitar - Move Like A Ghost - VINYL LP

Remastered reissue of the second LP with new sleeve artwork! 1000 copies on transparent red vinyl! The Courettes´ 2nd album was produced by PowerSolo's Kim Kix with Nikolaj Heyman as engineer in 2018. This album goes deeper in it's songwriting showing The Courettes´ love for '60s Girl Groups like The Ronettes and Shangri-Las. Fuzzy wild sounds are there, loud as hell drumming also, but some additional elements were added to their garage recipe soul ballads and a handful of '60s girlie pop. Sonic quality is now stereo and overdubs like organ, piano and backing vocals were allowed - all performed by The Courettes themselves, of course! Including 'Boom! Dynamite!', 'Time is Ticking' and 'Voodoo Doll' (featuring horror movie legend Coffin Joe). The Courettes are an explosive garage rock duo from Denmark/Brazil, highly praised by the world's coolest music magazines. Their first single for Damaged Goods, 'Want You! Like A Cigarette', was released in 2020 in the middle of the Covid-19 pandemic and received airplay on BBC6 Music in the UK and spins at P6Beat and P4 in Denmark. The first pressing of the 7Inch vinyl sold out in two weeks. InchThis extraordinary 45 marries a super-charged pop top side to a charging, rampaging flipInch wrote Kieron Tyler (MOJO). A brand new single, 'Hop The Twig', followed in Spring 2021, featuring an exciting blend of garage, surf, '60s girlie pop and riot grrrl attitude. Back In Mono, the duo's third album is being mixed now in Japan by Wall of Sound aficionado Seike Sato and shows the band in top form, with great songwriting and Spector-esque arrangements. The album also see them add broader nuances, influences and sound qualities to their garage rock recipe. The tunes are teen-trash-tragedy garage meets The Ronettes and The Ramones in Gold Star Studios' echo chamber. Fuzz guitars, loud drums, trashy pianos, jingle bells, tambourines and thre

Vinyl LP pressing. 2025 . Produced by Gene Walker and mixed by Andy Wallace and Dan Malsch, Ghost's sixth psalm, Skeletá, is it's most unflinchingly introspective work to date. Where previous albums dealt largely with chronicling and/or observing outward facing subject matter - such as IMPERA's meditations on the rise and fall of empires and it's predecessor Prequelle's evocations of the ravages of era-defining plagues - Skeletá's lyrics render the distinct individual emotional vistas of each of it's 10 songs in one-on-one fashion, at times as if in a dialogue with oneself in a mirror. The end result is a singular collection of timeless, universal sentiments, all filtered through a prism of a uniquely personal point of view.

William Grant Still (1895-1978) from Little Rock was a pioneer in many ways. He was the first African American to successfully depart from the generally acceptable genres of jazz and pop. He lived to see a symphonic work and an opera of his performed, he conducted the Los Angeles Philharmonic and directed an important Southern orchestra. The respect that he acquired is reflected in two Guggenheim fellowships and five honorary doctorates, as well as a growing number of top-quality recordings of his works. This album is dedicated to the composer's impressive art songs. Two dozen works, including simple spirituals, expansive, declamatory and captivating scenes, touching miniatures and provocative challenges paint a portrait of a self-assured man asserting his musical authority.