Original soundtrack to the 2025 motion picture. Nine Inch Nails returns with over 70 minutes of new music for the motion picture TRON Ares. Featuring singles "As Alive As You Need Me To Be," "Who Wants to Live Forever" and more. Album Tracks 1. Nit 2. Forked Reality 3. As Alive As You Need Me to Be 4. Echoes 5. This Changes Everything 6. In the Image of 7. I Know You Can Feel It 8. Permanence 9. Infiltrator 10. 100% Expendable 11. Still Remains 12. Who Wants to Live Forever? 13. Building Better Worlds 14. Target Identified 15. Daemonize 16. Empathetic Response 17. What Have You Done? 18. A Question of Trust 19. Ghost in the Machine 20. No Going Back 21. Nemsis 22. New Directive 23. Out in the World 24. Shadow Over Me

This 2025 holiday season, the band unleashes Taylor Momsen's Pretty Reckless Christmas, a 6-track EP that blends bold rock with timeless holiday spirit. The project opens and closes with reimagined versions of "Where Are You Christmas?" from her breakout film How the Grinch Stole Christmas, now featuring Taylor's matured, powerhouse vocals. From the soulful "I Wanna Be Your Christmas Tree" to the hard-hitting "Christmas Is Killing Me," the band wraps their signature intensity and festive energy into an electrifying present for the season. Album Tracks 1. Where Are You Christmas? 2. I Wanna Be Your Christmas Tree 3. Christmas Is Killing Me 4. Blues on Christmas 5. When We Were Young 6. Christmas, Why Can't I Find You? 7. Christmas, Why Can't I Find You?

Vinyl LP pressing. The phantom zone, the parallax, the upside down - there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood aka Natalie Mering, has designed her own universe to soulfully navigate life's mysteries. Maneuvering through a space-time continuum, she plays the role of melodic, sometimes melancholic, anthropologist. Tellingly, Mering classifies Titanic Rising - which was written and recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album's willful expansiveness ("You can tell there's not a guy pulling the strings in Enya's studio," she notes, admiringly). The former relays her imperative to connect with listeners. "The clarity of Bob Seger is unmistakable. I'm a big fan of conversational songwriting," she adds. "I just try to do that in a way that uses abstract imagery as well."