Tua Aberg - Inim-Inim - COMPACT DISCS [CD]

In his compositions, Kunets combines elements of classical music, jazz and pop music. The melody and the romantic character of his symphonic works reflect the essence of the composer. InchMy music has a very lyrical character; I try to convey my view of life and my feelings. It is, so to speak, the result of my philosophical reflections, little stories about our existence surrounded by nature, which in turn is closely connected with our emotional being. InchFor InchReflectionInch, Yury Kunets once again collaborated with arranger and conductor Lee Holdrige (Emmy & Grammy award-winning composer and orchestrator) and recording producer Christopher Alder (10x time Grammy award-winning record producer). InchThis music explores the true nature of reflection. I did not want to show reflection as a physical phenomenon, as in a mirror, but as a reflection of the spiritual being and the true picture of what is in it.Inch (Yury Kunets) InchReflectionInch contains images that draw on a series of inspirations from the beauty and magic of moonlight and the winter scenes of Yury's homeland to nostalgia, spirituality and true self- observation. Album Tracks 1. Memories 2. You 3. Reflection 4. Inspiration 5. Forest 6. Caprice 7. The Birth 8. Fairy Tale

Album Tracks 1. I. Prelude 2. II. Fileuse 3. III. Sicilienne 4. IV. Mort de Melisande Molto Adagio 5. Capriccio Italien, Op. 45 6. I. Montagues and Capulets 7. II. the Young Juliet 8. IV. Dance 9. V. Romeo at Juliet's Before Parting 10. VII. Romeo at the Grave of Juliet 11. Romeo and Juliet Suite No. 1, Op. 64Bis VII. Death of Tybalt

13 tracks new to CD. Includes numerous 70s reggae classics. Features two of Jamaican music's most popular performers of all time. After first becoming established on the Jamaican music scene as a 13-year-old in the early 1960s, Delroy Wilson enjoyed major successes throughout the remainder of the decade and beyond, but by the mid-70s, his career had begun to stall, partly due to his reluctance to join many of his established peers in embracing the Rastafarianism. But salvation was at hand in the form of his old friend and former Studio One colleague, Lloyd Charmers, who by this time was riding high on the reggae scene as one of Jamaica's most successful hit-makers, having produced major hits by a variety of local artists, including Ken Boothe whose 'Everything I Own' and 'Crying Over You' had ridden high on pop charts around the globe in 1974. Two years later, the first best-seller to emerge from the Wilson-Charmers collaborations was a compelling version of Bob Marley's 'I'm Still Waiting', which sold in it's thousands among the island's record buyers as well as fans of the developing lovers rock sound in the UK. Further popular 7Inch singles by the singer swiftly followed, notably sublime versions of the Bob Andy-penned 'I Don't Want To See You Cry' and Ben E. King's 'Imagination', as well the excellent self-penned 'My Cecelia'. The popularity of the recordings prompted Charmers to permanently relocate to London and the following year he issued what proved to be one of the biggest-selling reggae long-players of the 1970 'Sarge'. Officially unavailable for decades, the album is finally available on CD for only the second time ever, with it's original track-listing bolstered by previously unreleased 12Inch mixes from vaults of Trojan Records. The collection is further enhanced by the second disc comprising another classic Charmers- produced album, Ken Boothe's 'Booth