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Los Angeles based Scott Gilmore produces his own unique brand of seductive, beguiling and dreamy pop music, writing melodies, harmonies and counter melodies into his music to develop a sense of forward motion. Influenced by Eno, Cluster, Kraftwerk, YMO, as well as '70's and '80's Ethiopian Music and J.S. Bach, his music has elicited comparisons to sounds as diverse as those of Air, Stereolab, Italian film music from the '70s and to solitary eccentrics such as R. Stevie Moore and Beefheart. Pitchfork referred to his first album 'Subtle Vertigo' as a chill, whimsical listen whose compositions reveal themselves to be surprisingly complex while Vice wrote 'Gilmore makes music for the moments late nights bleed into early mornings, when skies begin to shift, when you're left alone in your own liminality.Inch Album Tracks 1. Empty Aisles 2. Two Roomed Motel 3. All Our Stuff 4. Cascade Occurence 5. A Veil Between 6. Rooms We've Made 7. Blue Rhumba 8. Memories of a Long Day 9. Of Places Read
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Los Angeles based Scott Gilmore produces his own unique brand of seductive, beguiling and dreamy pop music, writing melodies, harmonies and counter melodies into his music to develop a sense of forward motion. Influenced by Eno, Cluster, Kraftwerk, YMO, as well as '70's and '80's Ethiopian Music and J.S. Bach, his music has elicited comparisons to sounds as diverse as those of Air, Stereolab, Italian film music from the '70s and to solitary eccentrics such as R. Stevie Moore and Beefheart. Pitchfork referred to his first album 'Subtle Vertigo' as a chill, whimsical listen whose compositions reveal themselves to be surprisingly complex while Vice wrote 'Gilmore makes music for the moments late nights bleed into early mornings, when skies begin to shift, when you're left alone in your own liminality.Inch Album Tracks 1. Empty Aisles 2. Two Roomed Motel 3. All Our Stuff 4. Cascade Occurence 5. A Veil Between 6. Rooms We've Made 7. Blue Rhumba 8. Memories of a Long Day 9. Of Places Read

Heavyweight 180gm vinyl LP repressing of this album from the rock superstar housed in a faithfully recreated LP sleeve containing all the elements of the original . Born in the U.S.A. is the seventh studio album by American rock singer-songwriter Bruce Springsteen, released on June 4, 1984. A critical and commercial success, it found Springsteen marking a departure in his sound. While it's predecessor, the dark and acoustic Nebraska, featured songs of pessimism and isolation, Born in the U.S.A.'s lyrics expressed signs of hope in the daily fight of the ordinary American in following the American Dream, a new feeling complemented by synthesized arrangements and a pop-flavored, radio-oriented sound that helped Springsteen to extend his popularity and appeal to mainstream audiences. The album was supported by an enormous commercial campaign that helped create several hit singles, as well as remixes and music videos. Born in the U.S.A. was the best-selling album of 1985 in the United States (and also Springsteen's most successful album ever), selling 15 million copies in the U.S alone, and 30 million worldwide. The album produced a record-tying string of seven Top 10 singles (tied with Michael Jackson's Thriller and Janet Jackson's Rhythm Nation 1814) and also a worldwide concert tour (the two-year Born in the U.S.A. Tour) that was a success. The album was lauded by most critics and is often considered one of Springsteen's finest albums (Rolling Stone magazine rated it the 86th-greatest album of all time, his second on the list) along with his 1975 breakthrough, Born to Run. The scathing condemnation of the title track is often misinterpreted as a patriotic anthem as a result of the repeating chorus. Album Tracks 1. Born in the U.S.A. 4 39 2. Cover Me 3 27 3. Darlington County 4 48 4. Working on the Highway 3 11 5. Downbound Train 3 35 6. I'm on Fire 2 37

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX