Two Sheds - Assembling - VINYL LP
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Two Sheds' music takes the tender and direct pop mindset of someone like Liz Phair straight to the top floor. Caitlin's voice may remind listeners of Kristen Hersh or Mazzy Star, sounding like she's weeping in the sad songs and smiling in the happy songs. The band takes the California rock-soul of comrades like Mother Hips or 90's indie wizards Pavement, driving to the essence of a song in the shortest path possible. They are pushing themselves to dig down to the still-genuine heart of rock and roll, where true love still resides, away from the false promises of the searchlights. They will dare you to not be enamored.
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- GenreRockDescriptionTwo Sheds' music takes the tender and direct pop mindset of someone like Liz Phair straight to the top floor. Caitlin's voice may remind listeners of Kristen Hersh or Mazzy Star, sounding like she's weeping in the sad songs and smiling in the happy songs. The band takes the California rock-soul of comrades like Mother Hips or 90's indie wizards Pavement, driving to the essence of a song in the shortest path possible. They are pushing themselves to dig down to the still-genuine heart of rock and roll, where true love still resides, away from the false promises of the searchlights. They will dare you to not be enamored.ArtistTwo ShedsTitleAssemblingFormatVINYLLabelCrossbill Records
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Two Sheds' music takes the tender and direct pop mindset of someone like Liz Phair straight to the top floor. Caitlin's voice may remind listeners of Kristen Hersh or Mazzy Star, sounding like she's weeping in the sad songs and smiling in the happy songs. The band takes the California rock-soul of comrades like Mother Hips or 90's indie wizards Pavement, driving to the essence of a song in the shortest path possible. They are pushing themselves to dig down to the still-genuine heart of rock and roll, where true love still resides, away from the false promises of the searchlights. They will dare you to not be enamored.
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CUTS, composer and filmmaker Anthony Tombling Jr, is set to music from his experimental film EXIST for the first time. This Aprils dual of EPs EXIST 1 & EXIST 2 on Village Green will precede a debut album on the tag. Inspired by a poem by H.P. Lovecraft, EXIST explores night terrors and sleep paralysis. The 40-minute film, described by CUTS as an existential journey into nowhere features narration from cult graphic novelist Alan Moore (Watchmen, V For Vendetta, DC Comics, 2000AD). Since the film was premiered at Dark Outside, the unique 24 hour site specific festival in the Galloway Forest Dark Skies Park, in 2015; the music hasn't been made available until now.CUTS music has been described as diving-bell-deep growls to sky-scraping, synthetic peals by Crack Magazine with The 405 noting clear influences from the powerful build of Mogwai tracks to the My Bloody Valentine-esque use of distortion and distant vocals. On CUTS EP1 released by Invada, The Quietus wrote the buzz and hum of fed-back electronics get underscored by the undoubtedly sinister-feeling creep of industrial percussive mechanisms. EXIST 2' includes the track Bunsen Burner, in original and Redux form, which can be heard on the Ivor Novello winning original soundtrack to Alex Garland's sci fi masterpiece Ex Machina, featuring in the film's memorable climactic final scene. The track also featured in the finale of JJ Abrams cult hit US TV show Person Of Interest. CUTS has performed at ATP, Simple Things, Drill Festival and played with F**k Buttons, James Holden, Haxan Cloak and Wire. CUTS debut album is set for later this year on Village Green.1. Body Parts2. The Visitor3. Bunsen Burner (Original Version)4. Bunsen Burner RDX

Featuring just two tracks, the Entropik EP sees Ekoplekz stretching his sound towards breaking point, each track extending well past the ten minute mark, slowly evolving yet with a sustained intensity, strength of purpose and emotional impact that ensures that neither outstays their welcome. Entropy Flash is a pile-driving epic the relentless, heavily filtered analogue rhythms and skull splitting drones offset by delicate wistful melodies and a warm, extemporized bassline. It's title might make reference to a classic techno track by Beltram, but there the similarity ends. This is no homage, the sound is pure Ekoplekz, and the onus is on the listener to gauge what statement, if any, is being made here. Fans of a certain late-eighties psychedelic drone-rock group might spot another reference in the title of the flipside, Entropy Symphony, though as with the A-side, all sense of Ecstasy has long since evaporated. Beginning with a volley of pensive densely entwined melodic loops, the track is gradually submerged in layers of searing drone-noise. Though further propelled by the introduction of a one-note bass hit, ultimately the symphony disintegrates into a grey void of instability. Whether or not the listener chooses to interpret this EP in a conceptual sense, there is no doubt that this is some of the most powerful, life-affirming music to emanate from Ekoplekz lo-fi studio hideaway to date. Album Tracks 1. Entropy Flash 1. Entropy Symphony
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