Ulrich Gumpert Quartett - New One - COMPACT DISCS [CD]

Ulrich Gumpert - Quartette [COMPACT DISCS] date 04/05/2011

He first UK signee on Saddest Factory Records, the album was produced by Julien Baker, Phoebe Bridgers and Lucy Dacus. You Are The Morning was formed amid personal upheaval in 2021. InchI came out as trans to my nearest and dearest,Inch she says, InchSome did not accept me, but some did. Inch Jasmine got divorced, and a difficult home life meant she was writing while experiencing homelessness and precarious housing, sleeping on friend's couches and relying on community support. Despite the pain of some of it's background, the record is an uplifting look at t4t love. Jasmine describes her first trans romance as the first time she experienced joy in a deep sense, because of her experience of living as a woman. First single 'Skin on Skin' explores the new joy of physical touch. Usually a quick writer, it's a rare song that grew over time, during which a close connection with a friend began to form. InchSticking to the physical boundaries we wanted to have with each other became increasingly difficult. We were spending lots of time together, then falling in love. This song became a celebration of healing and physical catharsis found through unrepressed queer love. Jasmine and her band travelled to L. A. to record at Sound City Studios. It was made across 12 days in a highly collaborative and emotional process, and because Jasmine sees her songs as fluid and ever-changing, the recordings carry that free and spontaneous spirit. Jasmine. 4. t is supported by an all-trans band, Phoenix Rousiamanis contributes piano and strings, with Eden O'Brien on drums and Emily Abbott on bass. With Jasmine's voice and songwriting at the centre, the record incorporates a wider cast of voices. 'Best Friend's House' features a chorus including her bandmates, Julien Baker, Phoebe Bridgers and Lucy Dacus (Inchthe girls and the boysInch), Saddest Factory Records tag-mate Claud, Becca Mancari and

According to his biographers, the composer Johann Nepomuk Hummel (1778-1837) left an extensive oeuvre that includes numerous sonatas for flute and piano. That is true, but not altogether. The statement actually ought to be '... sonatas for piano and flute.' That may seem to be splitting hairs, but the reason for the correction becomes immediately evident when one listens to this effervescent new recording by Rainer Gepp (piano) and Christiane Meininger (flute). The piano does not modestly remain in the background and merely accompany the flute, but enjoys equal status with it.