UMG - Orianthi - Heaven in This Hell (incl. 2 bonus tracks) - COMPACT DISCS [CD]

In the fall of 1960, New York City wasn't the same urban mecca it is today. Neither was eighteen-year old Barbra Streisand, who emerged on the Greenwich Village club scene at a small, cozy venue on West 8th Street called the Bon Soir, where she received rave reviews and wooed the crowd with her incredible performances. Within two years Streisand, whose magnificent interpretations of both standards and quirky, obscure cabaret tunes was a nationwide sensation, was knocking audiences dead with her nightly performance as Miss Marmelstein in David Merrick's I Can Get It For You Wholesale on Broadway. Sixty years, multiple Grammy, Emmy, Oscar, Tony and Golden Globe awards and nearly two hundred million record sales later, Barbra has for the first time authorized the of a major portion of her Bon Soir performances, as captured in 1962 by Columbia Records. IMPEX Records - in conjunction with Sony Music Entertainment - is proud to present the SACD edition of the most sought-after recordings in Barbra's legendary career Live at the Bon Soir Greenwich Village, NY - November 1962. This gorgeous album features twenty-four brilliant performances personally selected by Barbra Streisand from the original Bon Soir master tapes and expertly mixed and mastered by Paul Blakemore and Jochem van der Saag, under the supervision of producers Barbra Streisand, Martin Erlichman and Jay Landers. SACD Stereo SACD Layer Designed to Play on Standard CD Players, SACD Players & Other SACD-Capable Players.

Two CDs. 2024 . Heaven x Hell is the eighth and final studio album by Canadian rock band Sum 41. A double album, Heaven x Hell is divided into two discs; the first disc Heaven features a return to the pop punk style of the band's early career, while the second disc Hell is a continuation of the band's more recent heavy metal style.

2010 from Screaming Females guitarist Marissa Paternoster and her low-profile solo project Noun. On Holy Hell, Marissa dedicates less time to shrieking and soloing, and more to intricate studio work and lower-key instrumentation. Holy Hell, the first official Noun , incorporates keys, organs, and toned-down guitars and drums. The result is clearly different than Screaming Females it's mellower, more melodic, and whereas the Screaming Females' songwriting process is a three-way discussion, Marissa writes all of the songs for Noun.