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Double vinyl LP pressing. Original soundtrack to the 2017 motion picture. Award-winning producer and artist, Danger Mouse, has curated the soundtrack for Edgar Wright's highly anticipated film, Baby Driver. The soundtrack for the music-heavy film, titled Music From The Motion Picture Baby Driver, boasts 30 multi-genre tunes in total, including 29 rare tracks and deep cuts, as well as one original song created by Danger Mouse specifically for Baby Driver. The new song is InchChase MeInch, by Danger Mouse featuring Run The Jewels and Big Boi. The film is written and directed by Edgar Wright. Baby Driver tells the story of Baby, a talented, young getaway driver (Ansel Elgort) who relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom. Album Tracks 1. Jon Spencer Blues Explosion-InchBellbottomsInch 2. Bob & Earl-InchHarlem ShuffleInch 3. Jonathan Richman & the Modern Lovers-InchEgyptian ReggaeInch 4. Googie Rene-InchSmokey Joe's la LaInch 5. The Beach Boys-InchLet's Go Away for AwhileInch 6. Carla Thomas-InchB-A-B-YInch 7. Kashmere Stage Band-InchKashmereInch 8. Dave Brubeck-InchUnsquare DanceInch 1. The Damned-InchNeat Neat NeatInch 2. The Commodores-InchEasy (Single Version)Inch 3. T. Rex-InchDeboraInch 4. Beck-InchDebraInch 5. Incredible Bongo Band-InchBongoliaInch 6. The Detroit Emeralds-InchBaby Let Me Take You (In My Arms)Inch 7. Alexis Korner-InchEarly in the MorningInch 1. David McCallum-InchThe EdgeInch 2. Martha and the Vandellas-InchNowhere to RunInch 3. The Button Down Brass-InchTequilaInch 4. Sam & Dave-InchWhen Somethi

Khruangbin's fourth studio album, A La Sala (InchTo the RoomInch in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald InchDJInch Johnson, Jr. And guitarist Mark InchMarkoInch Speer approach music. If 2020's Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band's musical reputation far and wide, then A La Sala is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. It's a window onto the bounties powering Khruangbin's vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.The trio's collective musical DNA, the years spent constructing it in Houston's local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko's reverb-heavy electric, dancing gently around Laura Lee's minimalist almost-dub bass triangles, while DJ's drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there's a freshness to A La Sala's instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world's external wonders. Where prior albums strived towards music's polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin's sonic touch-points - whether spaghetti-western film scores (on InchFifteen Fifty-ThreeInch), West African discos (on InchPon PónInch), G-funk fantasias (InchTodavía VivaInch), living room dancing moments (the first single, InchA Love InternationalInch), or even

U2 / RATTLE & HUM 1990 VERSION A1 Recorded live at McNichols Arena, Denver, Colorado, November 8th 1987 A2 Recorded at The Point Depot, Dublin A3 Recorded at STS Studio, Dublin A4 Recorded at A&M StudiosB1 Recorded live at Justin Herman Plaza, San Francisco, InchSave The Yuppie Free ConcertInch, November 8th 1987 B2 Recorded live at Madison Square Garden, New York, September 28th 1987 B4 Recorded live at McNichols Arena, Denver, Colorado, November 8th 1987 B5 Recorded live at McNichols Arena, Denver, Colorado, November 8th 1987 C1 Recorded at Sun Studio, Memphis C2 Recorded at Sun Studio, Memphis C3 Recorded at Sun Studio, Memphis C4 Recorded at Danesmoat, Dublin D1 Recorded at Ocean Way D3 Recorded live at Sun Devil Stadium, Tempe, Arizona, December 20th 1987 D4 Recorded at A&M Studios Album Tracks 1. Helter Skelter 2. Van Diemen's Land 3. Desire 4. Hawkmoon 269 1. All Along the Watchtower 2. I Still Haven't Found What I'm Looking for 3. Freedom for My People 4. Silver and Gold 5. Pride (In the Name of Love) 1. Angel of Harlem 2. Love Rescue Me 3. When Love Comes to Town 4. Heartland 1. God Part II 2. The Star Spangled Banner 3. Bullet the Blue Sky 4. All I Want Is You

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out