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Various Artists - Brown Acid - Fourteenth Trip (various Artists) - COMPACT DISCS [CD]

SKU: 10706852

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Here's just a few of the gems on Brown Acid - The Fourteenth Trip, the much beloved series that is the Nuggets of proto-metal, pre-stoner rock The Legends' InchFever GamesInch is a 1969 fever dream of heavy psych on par with Blue Cheer at their heaviest, featuring an incredible intro with whammy-bar gymnastics through an Echoplex. This Harrisburg, PA power trio, featuring Dan Hartman (Edgar Winter Group, et al) and his brother Dave, also name-checks Jimi Hendrix Experience in the midst of the song's most blatant Hendrix rip. Perhaps that's how Fever Games work? Transfer's velvet smooth groove has an almost proto-punk feel like a mashup of the Velvet Underground and The Flamin' Groovies. But the lyrics referencing tokin' reefer and the twanging surf lead situate them closer to their heavy rock brethren. This very rare 1974 self- released 45 is this lone archive of the band's existence-assume they just kept right on playin' it cool into oblivion. Cox's Army deploy the grungy rocker InchI'm TiredInch which sounds like if Jimi Hendrix fronted Mudhoney. Yes, please! Though they hailed from Aurora, IL, it sounds like there's definitely some Pacific Northwest in their blood. Particularly in the gritty production, which hints at The Sonics' Inchbustin' outta lo-fiInch style. Not much is known about the enigmatic Columbus, OH musician known as Raven, whose InchBack to Ohio BluesInch closes this edition. The mantra-like droning riff of this eight-minute jam is a Black To Comm-style epic, driven by Raven's hostile, no-bullshit diatribe until it all busts open for an insane two-minute long drum solo soaked in odd effects that sounds like it was copped from a Melvins album.

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  • Genre
    Rock
    Description
    Here's just a few of the gems on Brown Acid - The Fourteenth Trip, the much beloved series that is the Nuggets of proto-metal, pre-stoner rock The Legends' InchFever GamesInch is a 1969 fever dream of heavy psych on par with Blue Cheer at their heaviest, featuring an incredible intro with whammy-bar gymnastics through an Echoplex. This Harrisburg, PA power trio, featuring Dan Hartman (Edgar Winter Group, et al) and his brother Dave, also name-checks Jimi Hendrix Experience in the midst of the song's most blatant Hendrix rip. Perhaps that's how Fever Games work? Transfer's velvet smooth groove has an almost proto-punk feel like a mashup of the Velvet Underground and The Flamin' Groovies. But the lyrics referencing tokin' reefer and the twanging surf lead situate them closer to their heavy rock brethren. This very rare 1974 self- released 45 is this lone archive of the band's existence-assume they just kept right on playin' it cool into oblivion. Cox's Army deploy the grungy rocker InchI'm TiredInch which sounds like if Jimi Hendrix fronted Mudhoney. Yes, please! Though they hailed from Aurora, IL, it sounds like there's definitely some Pacific Northwest in their blood. Particularly in the gritty production, which hints at The Sonics' Inchbustin' outta lo-fiInch style. Not much is known about the enigmatic Columbus, OH musician known as Raven, whose InchBack to Ohio BluesInch closes this edition. The mantra-like droning riff of this eight-minute jam is a Black To Comm-style epic, driven by Raven's hostile, no-bullshit diatribe until it all busts open for an insane two-minute long drum solo soaked in odd effects that sounds like it was copped from a Melvins album.
    Artist
    Various Artists
    Title
    Brown Acid - Fourteenth Trip (various Artists)
    Format
    CD
    Label
    Riding Easy
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Various Artists - Brown Acid - Fourteenth Trip (various Artists)   - COMPACT DISCS [CD]
Various Artists - Brown Acid - Fourteenth Trip (various Artists) - COMPACT DISCS [CD]

Here's just a few of the gems on Brown Acid - The Fourteenth Trip, the much beloved series that is the Nuggets of proto-metal, pre-stoner rock The Legends' InchFever GamesInch is a 1969 fever dream of heavy psych on par with Blue Cheer at their heaviest, featuring an incredible intro with whammy-bar gymnastics through an Echoplex. This Harrisburg, PA power trio, featuring Dan Hartman (Edgar Winter Group, et al) and his brother Dave, also name-checks Jimi Hendrix Experience in the midst of the song's most blatant Hendrix rip. Perhaps that's how Fever Games work? Transfer's velvet smooth groove has an almost proto-punk feel like a mashup of the Velvet Underground and The Flamin' Groovies. But the lyrics referencing tokin' reefer and the twanging surf lead situate them closer to their heavy rock brethren. This very rare 1974 self- released 45 is this lone archive of the band's existence-assume they just kept right on playin' it cool into oblivion. Cox's Army deploy the grungy rocker InchI'm TiredInch which sounds like if Jimi Hendrix fronted Mudhoney. Yes, please! Though they hailed from Aurora, IL, it sounds like there's definitely some Pacific Northwest in their blood. Particularly in the gritty production, which hints at The Sonics' Inchbustin' outta lo-fiInch style. Not much is known about the enigmatic Columbus, OH musician known as Raven, whose InchBack to Ohio BluesInch closes this edition. The mantra-like droning riff of this eight-minute jam is a Black To Comm-style epic, driven by Raven's hostile, no-bullshit diatribe until it all busts open for an insane two-minute long drum solo soaked in odd effects that sounds like it was copped from a Melvins album.

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Released in the wake of the Los Angeles riots of 1992, this in-your-face artifact of early-'90s West Coast hip-hop is full of underrated bangers. Executive produced by Ice Cube, the NWA proteges in Da Lench Mob bounce from one high-energy verse to the next throughout this 40-minute 13-track attack.

Various Artists - Brown Acid - The Twelfth Trip (Various Artists)   - COMPACT DISCS [CD]

That's right, Riding Easy has reached a toker's dozen editions of brilliant long-lost, rare, and unreleased hard rock, heavy psych, and proto-metal tracks from the '60s - '70s. Clearly this has become a bonafide archaeological movement as each new installment leads the listener to more exciting new discoveries. Like the tag has done throughout this series, all of these tracks were painstakingly licensed legitimately and the artists were paid. Make oneself comfortable and prepare for yet another deep, deep dive into the treasure trove of dank, subterranean, wild-eyed and hairy rock 'n' roll with Brown Acid - The Twelfth Trip.Here are some examples of the treasures that lie herein The Waters start this Trip off right with swampy fuzz- and phaser-soaked dueling guitars oozing from the grooves of their 1969 single InchMother Samwell.Inch The Louisville, KY trio somehow failed to make much of a splash however, only issuing two 45s, one in '68 and this rocker the following year, before eventually evaporating in '72. The bassist went on to play in Hank Williams Jr.'s band for a couple of decades, so the band's fortunes weren't entirely sunken.Side two opens with Ace Song Service, who probably thought they were pretty clever with their risqué acronym name, but it's their b-side InchPersuasionInch that really kicks A.S.S. Rollicking, relentless drums, walking bass, staggering guitars and shimmering Hammond organ shake the foundations while crooning blue-eyed soul vocals remind the listener that this is still the late-60s. The Trip concludes with Dickens, whose InchSho' Need LoveInch / InchDon't Talk About My MusicInch 45 is one of those record collector's Holy Grail type of releases. The 1971 single only exists as a demo, printed as a white tag promo pressing for Scepter Records. Comprised of NRBQ's road crew and some band members, all playing instruments they didn't know how

Various Artists - Brown Acid - The Eleventh Trip (Various Artists)   - COMPACT DISCS [CD]

2020 collection. We're now in the double digits of brilliant long-lost, rare, and unreleased hard rock, heavy psych, and proto-metal tracks from the 60s-70s and clearly this has become a bonafide archaeological movement as each new edition leads us to more exciting new discoveries. Like we've done throughout this series, all of these tracks were painstakingly licensed legitimately and the artists were paid. Make yourself comfortable and prepare for yet another deep, deep dive into the treasure trove of dank, subterranean, wild-eyed and hairy rock 'n' roll.

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