Various Artists - Chamber Samba - COMPACT DISCS [CD]

Heinz Wallberg's intimate familiarity with the work (he conducted it on almost fifty separate occasions) can be heard throughout this 1961 performance of Richard Strauss' operatic masterpiece Der Rosenkavalier. Captured live at the Teatro Colón, Buenos Aires, Argentina in 1961 with a stellar cast that included Regine Crespin and Fritz Wunderlich, among other Straussian notables, and offered here in 24bit/96kHz re-mastered sound, this is a recording to be set alongside those of Clemens Krauss, Karl Böhm and Herbert von Karajan, all famed and important 20th c. Strauss interpreters.

World premiere recordings are brought together on this new GENUIN album featuring works by the composer Christian Ridil Renowned musicians from the Bavarian Radio Symphony Orchestra, among others, play in formations ranging from brass quintet to flute and percussion to the exquisite combination of (chromatic) harmonica and harpsichord. The works of the Goethe University Frankfurt's former university music director are characterized by stylistic diversity, wit, charm, and virtuosity and yet bear Ridil's clear signature. Absolutely worth discovering!

Ewa FABIANSKA-JELINSKA is one of the most active and recognized composers of her generation. Her oeuvre is regularly presented at national and international music festivals and appreciated by music authorities, which is confirmed by numerous awards she has received in prestigious composers' competitions. The creative output of Fabianska-Jelinska, despite her young age, includes over a hundred compositions (excluding incidental music and arrangements), written for diverse ensembles, and is constantly expanding. In her work, we can find pieces representing various genres, including songs, solo concertos, symphonic works, while nearly half of them are written for one to four instruments. The present album features compositions created in the years 2015-2019, most of which represent a sui generis specialization of Fabianska-Jelinska in the genre of instrumental chamber music, including instrumental duos and quartets. The album is complemented with four songs for solo instruments. Together, the compositions constitute a showcase of Fabianska-Jelinska's musical language; it's indicators include high formal discipline and attention to material coherence, important role of tone color and melody in shaping expression, often marked by the presence of lyrical element, and frequent use of viola and trombone.