Various Artists - Coming 2 America (Amazon Original Soundtrack) - VINYL LP

Rhythms of Zamunda (Music Inspired By Coming 2 America) Def Jam Recordings - Rhythms of Zamunda Music Inspired By Coming 2 America yields a blend of 16 original tracks embodying the opulent countries and cultures of Pan-Africa. Boasting a wide range of superstars from across the continent, Rhythms of Zamunda features South African superstars; Nasty C's InchBlack and WhiteInch featuring Ari Lennox; InchSkeletunInch from Tekno; Tiwa Savage's Inch Dangerous LoveInch, and many more. 2 LP. EXPLICIT

LP Black. Veteran punk rock bass player Inge Johansson (known from bands such as The (international) Noise Conspiracy, Against Me!, CSS, Cryssis and Stilett) releases his first solo album under the name Gatuplan on Sound Pollution/Wild Kingdom. The name Gatuplan means Street Level and the album title KAMPEN GÅR VIDARE! Translates to The Struggle Continues. Gatuplan's music is rooted in old school punk rock, mixed with all the influences that comes from Inge's lifetime as a fan of music and a life on the road. Inge explains InchWhen I started writing songs for Gatuplan the idea was to make music with the melodies and emotions of Ramones, the attitude of Rancid, a way of delivering vocals and lyrics like Mike Skinner of The Streets, a danceable world music/ska groove taken from bands like Mano Negra and The Specials and the approach to politics like Public Enemy. I wanted to write music that would work in a club vibe, but also as the soundtrack to a protest. And even though I'm singing in Swedish, I wanted to make sure that the songs were simple and catchy enough to break language barriers.Inch

This CD launches a complete series of recordings of Robert Schumann's orchestral works, performed by the WDR Symphony Orchestra under the baton of Heinz Holliger. Holliger's performances draw on a lifetime study of Schumann's music, thought, personality and fate. His approach imparts lightness and lucidity to these opulent scores through a hierarchical balance of parts, delicately gradated dynamics, and invigorating tempos. The widespread image of this romantic composer as a weak orchestrator receives a refreshing and well-grounded correction. Volume 1 of the series presents the First Symphony in B-flat major (Op. 38), Overture, Scherzo and Finale (Op. 52) and the original 1841 version of the Fourth Symphony in D minor (Op. 120).