Various Artists - Complete Columbia Collection - COMPACT DISCS [CD]

Sony Classical is pleased to announce the of a 17-album box set collecting the recordings made between 1940 and 1956 for American Columbia by the renowned Hungarian violinist Joseph Szigeti. Szigeti had a remarkable career. Born in 1892 in Budapest, where he studied with Jeno Hubay, one of most celebrated virtuosos and teachers of that golden era of violin playing, he was praised by the iconic German violinist Joseph Joachim at his Berlin debut in 1905; lived in London for several years following his acclaimed 1907 debut and played chamber music with, among others, Myra Hess and Ferruccio Busoni; was a frequent visitor after the war to the Soviet Union, where he introduced Prokofiev's First Violin Concerto; made his triumphant American debut at Carnegie Hall under Stokowski in 1925; toured the world during the 1930s before finally settling in the US in 1940. It was in that year that Szigeti renewed his friendship with fellow Hungarian émigré Béla Bartók, and in April the two gave a now-legendary recital in Washington which featured Bartók's First Violin Rhapsody of 1928 - a work dedicated to and premiered by Szigeti in Europe. In May 1940, Columbia recorded their interpretation of this Inchvehicle for Szigeti's biting and wholly magnificent fiddlingInch (MusicWeb International) in New York. That performance appears here for the first time on album along with another important work by Bartók, the classic first recording of his Contrasts for clarinet, violin and piano, written for and performed with Szigeti and Benny Goodman. The rest of the new collection displays many more treasures of Szigeti's passionate dedication to chamber music in Bach, Handel, Tartini, Mozart, Beethoven, Schubert, Brahms, Dvorák, Debussy, Ravel, Bloch, Busoni, Prokofiev, Stravinsky and Henry Cowell, collaborating with such artists as Andor Foldes - another Hungarian émigré - as well as with

Robert Casadesus (1899-1972) is today almost considered an American pianist - he based himself there from the Second World War onwards and he is known today through the huge number of recordings he made for US Columbia from 1940 until his death, but as a musician and pianist he was French to the core. He had studied at the Paris conservatoire with Isidor Philipp and Louis Diémer and his combination of immaculate technique, a light and brilliant touch and the refined elegance of his interpretations reveal why he was considered one of the greatest French pianists of the century. Casadesus began his recording career for French Columbia in 1928 and all his recordings for that tag, until he left for the USA, are included here for the first time. Particularly noteworthy is a previously unpublished studio recording of Mozart's 'Coronation' concerto. He excelled in Mozart and Chopin and in French repertoire and all are well-represented in this collection. There are also noteworthy chamber collaborations in the Debussy cello sonata and Fauré Piano Quartet.

Following up it's widely acclaimed reissues of the Juilliard Quartet's complete Epic and RCA Victor albums - originally issued between 1956 and 1960 - Sony Classical is excited to present a new box set collecting the earliest albums of this august American ensemble. Made between 1949 and 1956 in Columbia's studio on Manhattan's 30th St., these landmark recordings are mostly new to album. When William Schuman founded a string quartet at New York's Juilliard School in 1946, he envisaged an ensemble not only to teach the elite New York conservatory's students but also, in it's own public performances, to Inchplay the standard repertoire with the sense of excitement and discovery of a new work and play new works with a reverence usually reserved for the classics.Inch From it's first appearances in New York, the Juilliard Quartet was identified as a champion of modern music. It's first recordings for American Columbia, all included here, were dedicated to the works of Alban Berg and Béla Bartók (only recently deceased), as well as to Arnold Schoenberg (still very much alive), and to active American composers including Schuman himself.