Various Artists - Essence - COMPACT DISCS [CD]
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Anna Lasota - vocalist, actress, one of the best Polish voices on the musical theatre and film scene in Poland. A soloist of the Musical Theatre in Poznan, where she has performed outstanding leading roles, awarded with the Jan Kiepura Prize for the Best Musical Theatre Vocalist in 2016 and the Young Art Medal in 2019. Anna Lasota graduated from the Academy of Music in Bydgoszcz and since the very beginning of her career she has been performing both classical and original music repertoire. The artist has been affiliated with the Musical Theatre in Poznan since 2008. She has played there leading roles in the musical theatre and operetta repertoires. She has given the performances, adored by the audience, of Adela in 'Die Fledermaus', Eurydice in 'Orpheus and Eurydice', Eliza in 'My Fair Lady', Eva Peron in 'Evita', Maria Magdalena in 'Jesus Christ Superstar' or, more recently, of Morticia in 'The Addams Family'. Since 2011, she has participated in major film music events in Poland and Germany, each time being applauded by the audience of a dozen thousand people. Together with, inter alia, the Polish Radio Orchestra and renowned choral ensembles, she has prepared monographic concerts presenting Hans Zimmer's or John Williams' music. InchIn musical theatre and cinema, loved by Ania with a reciprocal affection, a human voice should always tell us - the audience - a story. This voice must be reliable, though fabulously flexible at the same time. Her voice is not just excellently prepared in technical terms. Each time Ania develops it by combining technique, imagination and sensitivity. And that is why whenever she is singing about something, I do believe her.Inch (Magda Miska-Jackowska, RMF Classic)
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- GenreClassicalDescriptionAnna Lasota - vocalist, actress, one of the best Polish voices on the musical theatre and film scene in Poland. A soloist of the Musical Theatre in Poznan, where she has performed outstanding leading roles, awarded with the Jan Kiepura Prize for the Best Musical Theatre Vocalist in 2016 and the Young Art Medal in 2019. Anna Lasota graduated from the Academy of Music in Bydgoszcz and since the very beginning of her career she has been performing both classical and original music repertoire. The artist has been affiliated with the Musical Theatre in Poznan since 2008. She has played there leading roles in the musical theatre and operetta repertoires. She has given the performances, adored by the audience, of Adela in 'Die Fledermaus', Eurydice in 'Orpheus and Eurydice', Eliza in 'My Fair Lady', Eva Peron in 'Evita', Maria Magdalena in 'Jesus Christ Superstar' or, more recently, of Morticia in 'The Addams Family'. Since 2011, she has participated in major film music events in Poland and Germany, each time being applauded by the audience of a dozen thousand people. Together with, inter alia, the Polish Radio Orchestra and renowned choral ensembles, she has prepared monographic concerts presenting Hans Zimmer's or John Williams' music. InchIn musical theatre and cinema, loved by Ania with a reciprocal affection, a human voice should always tell us - the audience - a story. This voice must be reliable, though fabulously flexible at the same time. Her voice is not just excellently prepared in technical terms. Each time Ania develops it by combining technique, imagination and sensitivity. And that is why whenever she is singing about something, I do believe her.Inch (Magda Miska-Jackowska, RMF Classic)ArtistVarious ArtistsTitleEssenceFormatCDLabelRecart
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SOMM Recordings concludes it's universally acclaimed six-volume Bruckner from the Archives series with his last two symphonies and Psalm 150. By a happy coincidence conductors Eugen Jochum and Henry Swoboda, who were featured conductors in Volume 1, make a welcome re-appearance, bringing the series to an elegant conclusion. This archival series celebrating Anton Brucker's bicentennial was conceived and designed by SOMM Executive Producer and Audio Restoration Engineer, Lani Spahr, with annotations from Professor Benjamin Korstvedt. Of Bruckner's two final symphonies Korstvedt says, Inch[With] the Eighth and the Ninth, Bruckner reached the pinnacle of symphonic achievement. They both pose considerable challenges, musically, textually and emotionally. Above all, they are unquestionably two of the greatest works in the genre, by any composer before or after.InchWhen Bruckner completed his Eighth Symphony in 1887, he asked his supporter, Hermann Levi, to conduct the premiere. When Levi responded, InchI don't have the courage to perform it, Inch Bruckner was staggered by the rejection, but didn't lose faith in his score. On 10 March 1890, he wrote Inchentirely finishedInch on a reworked version. His revisions, extensive as they were, stayed true to his original conception of the work's dramatic course, and after the premiere in 1892, Hugo Wolf called the work Incha complete victory of light over darkness.InchTo honour Bruckner's bicentennial in this last Volume 6, the Bruckner Archive offers an exciting 1957 live performance, expertly re-mastered by Lani Spahr, featuring the Bavarian Radio Symphony Orchestra led by their founding conductor Eugen Jochum. In 1949, Jochum made the first commercial recording of the Eighth, and this present recording offers a vivid example of his distinctive way with Bruckner in his approach to the dramatic possibilities of the score.Bruckner's
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