Various Artists - Forgotten Gems Stage & Screen - COMPACT DISCS [CD]
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David Jenness (1937-2017) is best known as the co-author of the widely read and influential book InchClassic American Song The Second Half-Century, 1950-2000.Inch In it he explores the final work of the Masters and introduces us to songs written by the next generations of composers and lyricists who upheld the demanding criteria established by their forebears. But Jenness was also a cabaret singer held in the highest regard in Santa Fe clubs. Between 1993 and 1998 he made frequent visits to recording studios, preserving his performances of songs he held dear. He said, InchI've always loved good songs from the theater and film. In my life I've been lucky enough to get to know some of the forgotten songs of songwriters and performers-the kind of songs that singers like to sing late at night during the last set or at a party, or the songs that songwriters have a sneaky love for. InchThere's kind of a revival going on of cabaret and theater tunes from earlier eras. I wanted to get the ones I know and love down on tape, hoping you'll like them, too.Inch Jenness, who passed away three years ago, only shared his recordings on cassettes with friends. This marks the first chance all of us have to appreciate a warm, understated vocal style that always honored the songwriters' intent. He's accompanied by piano or a tasty jazz trio. And the hall-of-fame songwriters include Cole Porter, Irving Berlin, Arlen & Koehler, Kern & Hammerstein, Rodgers & Hart, Lane & Loesser, Ellington & Latouche, Hugh Martin and Stephen Sondheim. This album is nirvana for all lovers of vintage American popular song-especially those who want to be introduced to rarely heard (or completely unknown) material courtesy of Jenness's marvelous interpretations.
- GenreClassicalDescriptionDavid Jenness (1937-2017) is best known as the co-author of the widely read and influential book InchClassic American Song The Second Half-Century, 1950-2000.Inch In it he explores the final work of the Masters and introduces us to songs written by the next generations of composers and lyricists who upheld the demanding criteria established by their forebears. But Jenness was also a cabaret singer held in the highest regard in Santa Fe clubs. Between 1993 and 1998 he made frequent visits to recording studios, preserving his performances of songs he held dear. He said, InchI've always loved good songs from the theater and film. In my life I've been lucky enough to get to know some of the forgotten songs of songwriters and performers-the kind of songs that singers like to sing late at night during the last set or at a party, or the songs that songwriters have a sneaky love for. InchThere's kind of a revival going on of cabaret and theater tunes from earlier eras. I wanted to get the ones I know and love down on tape, hoping you'll like them, too.Inch Jenness, who passed away three years ago, only shared his recordings on cassettes with friends. This marks the first chance all of us have to appreciate a warm, understated vocal style that always honored the songwriters' intent. He's accompanied by piano or a tasty jazz trio. And the hall-of-fame songwriters include Cole Porter, Irving Berlin, Arlen & Koehler, Kern & Hammerstein, Rodgers & Hart, Lane & Loesser, Ellington & Latouche, Hugh Martin and Stephen Sondheim. This album is nirvana for all lovers of vintage American popular song-especially those who want to be introduced to rarely heard (or completely unknown) material courtesy of Jenness's marvelous interpretations.ArtistVarious ArtistsTitleForgotten Gems Stage & ScreenFormatCDLabelHarbinger
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David Jenness (1937-2017) is best known as the co-author of the widely read and influential book InchClassic American Song The Second Half-Century, 1950-2000.Inch In it he explores the final work of the Masters and introduces us to songs written by the next generations of composers and lyricists who upheld the demanding criteria established by their forebears. But Jenness was also a cabaret singer held in the highest regard in Santa Fe clubs. Between 1993 and 1998 he made frequent visits to recording studios, preserving his performances of songs he held dear. He said, InchI've always loved good songs from the theater and film. In my life I've been lucky enough to get to know some of the forgotten songs of songwriters and performers-the kind of songs that singers like to sing late at night during the last set or at a party, or the songs that songwriters have a sneaky love for. InchThere's kind of a revival going on of cabaret and theater tunes from earlier eras. I wanted to get the ones I know and love down on tape, hoping you'll like them, too.Inch Jenness, who passed away three years ago, only shared his recordings on cassettes with friends. This marks the first chance all of us have to appreciate a warm, understated vocal style that always honored the songwriters' intent. He's accompanied by piano or a tasty jazz trio. And the hall-of-fame songwriters include Cole Porter, Irving Berlin, Arlen & Koehler, Kern & Hammerstein, Rodgers & Hart, Lane & Loesser, Ellington & Latouche, Hugh Martin and Stephen Sondheim. This album is nirvana for all lovers of vintage American popular song-especially those who want to be introduced to rarely heard (or completely unknown) material courtesy of Jenness's marvelous interpretations.

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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