Various Artists - Great Violinists - COMPACT DISCS [CD]
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Various Artists - Great Violinists [COMPACT DISCS] date 09/23/2003
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- GenreClassicalDescriptionVarious Artists - Great Violinists [COMPACT DISCS] date 09/23/2003ArtistVarious ArtistsTitleGreat ViolinistsFormatCDLabelNaxos
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Various Artists - Great Violinists [COMPACT DISCS] date 09/23/2003
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Various Artists - Art of Violin 2 [COMPACT DISCS] date 10/06/2017
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This documents an amazing array of concerto soloists, caught at various stages of their careers in the four years 1953-1956. Among them are several with claims to be the finest exponents of their particular concertos- notably David Oistrakh playing the Tchaikovsky Violin Concerto in a broadcast from the BBC Studios in 1954, and Dennis Brain in two Mozart Horn Concertos from 1953 and 1954 respectively along with Strauss's Horn Concerto No. 1, from 1956. For those collectors looking for rare artists who were less well known to the general public, the Italian violinist Gioconda de Vito and the French virtuoso pianist Monique de la Brouchollerie are represented; the former with a wonderfully spontaneous account of Viotti's Violin Concerto No. 22 from 1953, while Brouchollerie adds a scintillating performance of Rachmaninov's Paganini Variations from 1955. The remaining artists in the set are well known to collectors and the public alike. The great Polish violinist Ida Haendel recorded the Sibelius Concerto and her live performances including this 1955 Prom account were praised by the composer himself. The Italian violinist Alfredo Campoli became one of Britain's most beloved musicians and this broadcast of Lalo's Symphonie espagnole from 1954 captures his sweet tone perfectly.
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Encompassing his first collaboration to his last, this four- album collection celebrates Joseph Swensen's tenure as Principal Conductor of the Scottish Chamber Orchestra (1996-2005). Swensen combines his role as conductor and soloist in acclaimed recordings of popular concertos by Mendelssohn, Brahms, Dvorák and Prokofiev. Written within a hundred years of each other these concertos not only provide Swensen with the opportunity to display his mastery of formidable technical demands, but also demonstrate each composer's individual expressive and melodic expertise. Swensen's dual role as both conductor and soloist creates a special collaboration with the musicians of the Scottish Chamber Orchestra, who remain acutely attuned to his intentions. In addition they perform a wonderful selection of orchestral music together to complement the concertos Brahms' Hungarian Dances, Dvorák's Nocturne for string orchestra and Czech Suite, Mendelssohn's Fingal's Cave and 'Scottish' Symphony, plus Prokofiev's Symphony No. 1 and his Five Melodies (orchestrated by Swensen for solo violin and orchestra).
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