Various Artists - Jeux de Creation - COMPACT DISCS [CD]
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This recording is a tribute to the chromatic harp, which, with it's rich colors and theatrical effects, was perfectly tuned to the impressionist and art nouveau atmosphere of the turn of the 20th century. Geoffrey Gordon's Jeux de Creation is inspired by music from the 1920s using both traditional and extended techniques, drawing on themes by Milhaud and Debussy to portray the past and present. Reflecting this aesthetic, the other works in this program include the artistry of Ravel and Faure, the quasi-orchestral effects of Debussy's Danses, and Caplet's sensuous and spectacular Divertissements.
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- GenreClassicalDescriptionThis recording is a tribute to the chromatic harp, which, with it's rich colors and theatrical effects, was perfectly tuned to the impressionist and art nouveau atmosphere of the turn of the 20th century. Geoffrey Gordon's Jeux de Creation is inspired by music from the 1920s using both traditional and extended techniques, drawing on themes by Milhaud and Debussy to portray the past and present. Reflecting this aesthetic, the other works in this program include the artistry of Ravel and Faure, the quasi-orchestral effects of Debussy's Danses, and Caplet's sensuous and spectacular Divertissements.ArtistVarious ArtistsTitleJeux de CreationFormatCDLabelNaxos
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This is a sort of self-portrait of the Great Organ of the Royal Chapel of Versailles, delivering all it's aspects, enhanced by the choice of a repertoire emblematic of the baroque era the major classic French organ works (Couperin, Marchand, de Grigny, Corrette) composed to glorify the very specific aesthetics of instruments like that of Louis XIV's Chapel; but also to reveal it's other sound riches, transcriptions of chefs d'oeuvres, from Le Sommeil d'Atys by Lully, to the contredanses of Rameau's Boréades. To add a new dimension to the organ's sound universe and to enhance it's orchestral qualities, modern editing and Inchre-recordingInch processes were gently used to serve the superposition of musical voices, as if invisible hands filled in for the organist in certain works, which are true Proust's InchmadeleinesInch for Gaétan Jarry. He goes all out to play the instrument of Versailles Inchfor the Glory of God and the KingInch!
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