Various Artists - La Famille Rameau - COMPACT DISCS [CD]
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During his lifetime, Rameau enjoyed a glittering reputation and was admired by all Europe, while Debussy's Hommage à Rameau proves that his fame survived down the centuries. But what do we know about the rest of the Rameau family? After a highly acclaimed album devoted to the Forqueray family (ALPHA247, Gramophone Editor's Choice, Choc of the year 2016 in Classica, Grand Prix de l'Académie Charles Cros), our harpsichordist-genealogist Justin Taylor sets out on the trail of Jean-Philippe's son Claude-François and his nephew Lazare. To be sure, Rameau's genius dwarfs all around him, as is demonstrated by such pieces as La Livri, La Poule and L'Égyptienne, not to mention the magnificent Nouvelle Suite in A minor, but the music of his descendants has it's own interest. Justin Taylor introduces us to a work by Claude-François Rameau (La Forqueray) and the Sonata no.1 in E major by Lazare Rameau. He switches from the splendid harpsichord of the Château d'Assas (a two-manual instrument of the first half of the eighteenth century, attributed to the Lyon-based maker Donzelague) to the 1891 Érard piano of the Musée de la Musique in Paris for Debussy's tribute to his great predecessor.
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- GenreClassicalDescriptionDuring his lifetime, Rameau enjoyed a glittering reputation and was admired by all Europe, while Debussy's Hommage à Rameau proves that his fame survived down the centuries. But what do we know about the rest of the Rameau family? After a highly acclaimed album devoted to the Forqueray family (ALPHA247, Gramophone Editor's Choice, Choc of the year 2016 in Classica, Grand Prix de l'Académie Charles Cros), our harpsichordist-genealogist Justin Taylor sets out on the trail of Jean-Philippe's son Claude-François and his nephew Lazare. To be sure, Rameau's genius dwarfs all around him, as is demonstrated by such pieces as La Livri, La Poule and L'Égyptienne, not to mention the magnificent Nouvelle Suite in A minor, but the music of his descendants has it's own interest. Justin Taylor introduces us to a work by Claude-François Rameau (La Forqueray) and the Sonata no.1 in E major by Lazare Rameau. He switches from the splendid harpsichord of the Château d'Assas (a two-manual instrument of the first half of the eighteenth century, attributed to the Lyon-based maker Donzelague) to the 1891 Érard piano of the Musée de la Musique in Paris for Debussy's tribute to his great predecessor.ArtistVarious ArtistsTitleLa Famille RameauFormatCDLabelAlpha
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As we reflect on Johann Sebastian Bach and his sons, we are all too likely to overlook the fact that there were six sons from two marriages who Inchinclined towards MusicInch. True, Maria Barbara's third son Johann Gottfried Bernhard, born in Weimar in 1715, more or less disappeared from view in 1737, and it is plain that Anna Magdalena's first son Gottfried Heinrich, born in 1724, was mentally handicapped InchA great Genius, which however was never developed,Inch wrote his half-brother Carl Philipp Emanuel in the family chronicle. For thirty years, making and writing music, he had been the musical front-runner in Saxony and Thuringia the vanguard was located wherever he was, in his hands and at his writing-desk. Increasingly, twenty-year-olds and a few late starters in their thirties were coming on to the market and showing Bach a new way forward the galant style, spreading north from Naples ever since 1715, and the flamboyant, ever more richly ornamented music of the late Baroque, constantly threatening to break down under the weight of emblematic connotation and religious symbolism, in contrast to that simpler form, written by mortals for mortals, distinguished by it's slow, easily comprehensible harmony and it's truly singable melodies in what was at most an expanded two-part structure.
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