Various Artists - Luke Una Presents E Soul Cultura Vol.3 (Various Artists) - COMPACT DISCS [CD]
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With two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and it's power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 15 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move the body as much as the heart. From his formative years in Sheffield to co-founding Manchester's much-fabled Electric Chair with Justin Crawford, through to helming the iconic LGBTQ institutions of Homoelectric / Homobloc, Luke has spent 40 years immersed in dance music. His latest outlet, É Soul Cultura, has grown from a tag to a globe-spanning events series with Luke holding residencies and embarking on tours across the world from Japan and Australia to America and Europe. InchFor me, the dancefloor was never about a one-dimensional, thudding, 130 BPM beat only. It's a much more dynamic, broader vision than that. I cut my teeth in an era where a 100 BPM record had as much impact, excitement, and energy as a 134 BPM dancefloor jazz funk or techno recordInch, Luke mentions. É Soul Cultura Volume 3 is the perfect embodiment of that notion InchIt's about four decades in the trenches playing dance music, the late-night afters, the shebeens, the basements, warehouse parties, the eight-hour journeys in East London, through to festival sets at Houghton and We Out Here. It's music unconstrained by genre or tempo and more about making your body moveInch. But this isn't simply a collection of disparate dance tracks; they carry meaning and soul. InchIt's less about escapism, more about reconnection. My experience of post-covid has been the coming together of all the clans in various c
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- GenreDance and electronicDescriptionWith two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and it's power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 15 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move the body as much as the heart. From his formative years in Sheffield to co-founding Manchester's much-fabled Electric Chair with Justin Crawford, through to helming the iconic LGBTQ institutions of Homoelectric / Homobloc, Luke has spent 40 years immersed in dance music. His latest outlet, É Soul Cultura, has grown from a tag to a globe-spanning events series with Luke holding residencies and embarking on tours across the world from Japan and Australia to America and Europe. InchFor me, the dancefloor was never about a one-dimensional, thudding, 130 BPM beat only. It's a much more dynamic, broader vision than that. I cut my teeth in an era where a 100 BPM record had as much impact, excitement, and energy as a 134 BPM dancefloor jazz funk or techno recordInch, Luke mentions. É Soul Cultura Volume 3 is the perfect embodiment of that notion InchIt's about four decades in the trenches playing dance music, the late-night afters, the shebeens, the basements, warehouse parties, the eight-hour journeys in East London, through to festival sets at Houghton and We Out Here. It's music unconstrained by genre or tempo and more about making your body moveInch. But this isn't simply a collection of disparate dance tracks; they carry meaning and soul. InchIt's less about escapism, more about reconnection. My experience of post-covid has been the coming together of all the clans in various cArtistVarious ArtistsTitleLuke Una Presents E Soul Cultura Vol.3 (Various Artists)FormatCDLabelMr Bongo
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With two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and it's power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 15 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move the body as much as the heart. From his formative years in Sheffield to co-founding Manchester's much-fabled Electric Chair with Justin Crawford, through to helming the iconic LGBTQ institutions of Homoelectric / Homobloc, Luke has spent 40 years immersed in dance music. His latest outlet, É Soul Cultura, has grown from a tag to a globe-spanning events series with Luke holding residencies and embarking on tours across the world from Japan and Australia to America and Europe. InchFor me, the dancefloor was never about a one-dimensional, thudding, 130 BPM beat only. It's a much more dynamic, broader vision than that. I cut my teeth in an era where a 100 BPM record had as much impact, excitement, and energy as a 134 BPM dancefloor jazz funk or techno recordInch, Luke mentions. É Soul Cultura Volume 3 is the perfect embodiment of that notion InchIt's about four decades in the trenches playing dance music, the late-night afters, the shebeens, the basements, warehouse parties, the eight-hour journeys in East London, through to festival sets at Houghton and We Out Here. It's music unconstrained by genre or tempo and more about making your body moveInch. But this isn't simply a collection of disparate dance tracks; they carry meaning and soul. InchIt's less about escapism, more about reconnection. My experience of post-covid has been the coming together of all the clans in various c
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Even in the extensive library of little-known composers whose music has found a niche on Brilliant Classics, the name of Bianca Maria Meda (1661-1732/33) counts as obscure. Little is known about Meda other than the scant details printed on the title page of the edition of these motets, printed in 1691 her name; her title donna (indicating her position as professa in a Benedictine convent); and the name of the monastery where she lived San Martino del Leano, in Pavia. She probably took holy orders as a teenager, and she was followed by several other members of her family. These motets are sacred but not designed for liturgical use, setting first-person texts (possibly by Meda herself) on themes such as the renunciation of worldly pleasures, an ardent love for Jesus the bridegroom, and requests for intercession by Mary, the Queen of Heaven. The wide range of the vocal lines, as well as the difficulty of the vocal and instrumental parts, indicate that both singers and instrumentalists in Meda's convent were highly skilled. Although the scores can be performed by a mixed voice ensemble, this recording restores them to the kind of performance that would have been heard in the convent of San Martino del Leano, with a light instrumental ensemble accompanying an all-female choir. The album is an absorbing sequel to Capella Artemisia's debut on Brilliant Classics with 'Weep and Rejoice,' also reviving little-known Italian 17th- and 18th- century composers. InchThe musical range and dramatic impetus present in these performances by Cappella Artemisia is quite extraordinary. [...] Many [names of composers] are obscure and richly deserve this superb reading. [...] The all-female vocalists (predominantly native Italian speakers) work in various permutations and when en masse produce an appealing rich sound [...] Wholeheartedly recommended.Inch (Early Music Today) Album Tracks
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