Various Artists - Music for the Eyes - COMPACT DISCS [CD]

Charlotte Haesen, born in Amsterdam in 1987 and raised in the French-speaking part of Belgium, studied jazz singing at the Amsterdam University of the Arts. On a sunny Saturday afternoon, she sang French chansons at Amsterdam's Noordermarkt, where she was discovered by viola player Odile Torenbeek. Odile and Charlotte decided to put together a chanson programme anchored in a string quartet ensemble. Leading arrangers then 'arrayed' the chansons around Charlotte's own, particular sound. The next step was the founding of Café des Chansons Charlotte Haesen plus four musicians from the Netherlands Philharmonic Orchestra. They perform gems of the repertoire, including the great French classics by artists such as Barbara, Gainsbourg and Piaf.

Morgan Evans, Australian-born and Nashville-based, has captured hearts worldwide with hits like #1 U.S. Country Airplay single 'Kiss Somebody' and 750M+ streams. A CMA Global Country Artist Award winner and dynamic live performer, he continues to rise in modern country. His highly anticipated new album Steel Town drops March 20 2026-showcasing his storytelling, resilience, and unmistakable charm.

A gallery of Mozart performances from the mid-1950s, including many forgotten and newly remastered recordings. Deutsche Grammophon marked the 200th anniversary of Mozart's birth in 1956 with a 6LP 'Jubilee Edition'. Three 'evenings' of orchestral, chamber and vocal music drew on DG's most experienced and dynamic Mozartians, from Ferenc Fricsay and Clara Haskil to Maria Stader and Igor Markevitch. This is now republished complete for the first time, and expanded to three times it's original length, including many other fine Mozart recordings made at the time such as the pianists Mieczyslaw Horszowski and Helmut Roloff in concertos; Bernhard Paumgartner in one of Mozart's most substantial Salzburg divertimenti; Fritz Lehmann conducting early symphonies and opera overtures; and much more. While DG was commemorating Mozart in grand style, it's sister tag Archiv released many new recordings of the composer which broke new ground either in terms of repertoire or performance style. The Piano Concerto K.414 and the Sonata K.331 were played on rare fortepianos from Mozart's own time. The Vocal Canons - illustrating the composer's ribald humor as well as his family's use of music as a private means of communication - were recorded by the choir of North German radio. Mozart's treasury of song was also documented for the first time, and in delicious performances featuring the soprano Margot Guilleaume and the fortepianist Fritz Neumeyer. In 1956 itself, Archiv released a live performance of the Requiem which had been given at the Stephansdom in December the previous year, on the date of his death, by Eugen Jochum. Issued as a liturgical reconstruction of what the composer's own funeral might have sounded like, this conveys a powerful mood of commemoration thanks to the conducting of Eugen Jochum and a line-up of soloists led by Irmgard Seefried. Many of these Archiv albums have n