Various Artists - Per Voi Ardo - COMPACT DISCS [CD]
Reviews coming soon
About this product
Per voi ardo presents a large number of Italian madrigals in the form they are preserved in Spain in the vihuela books of Enríquez de Valderrábano (1547), Diego Pisador (1552) and Miguel de Fuenllana (1554). They are complemented by settings by Alonso Mudarra, original compositions like Milán's, using Italian texts of the same flavor, and with accompaniments that parallel the arranged madrigals in many ways. The arrangements by Valderrábano, Pisador and Fuenllana follow exactly the precedent of the 1536 Willaert-Verdelot collection. They are tablature arrangements of the madrigals without modification that are sung in exactly the way that Verdelot and Willaert envisaged. In the absence of parallel sources in Italy, they are important not only as evidence of the spread of this practice to Spain, but also as the main written evidence that confirms a continuing practice of singing arrangements of 1530s madrigals for decades after they first appeared.
Specifications
- GenreClassicalDescriptionPer voi ardo presents a large number of Italian madrigals in the form they are preserved in Spain in the vihuela books of Enríquez de Valderrábano (1547), Diego Pisador (1552) and Miguel de Fuenllana (1554). They are complemented by settings by Alonso Mudarra, original compositions like Milán's, using Italian texts of the same flavor, and with accompaniments that parallel the arranged madrigals in many ways. The arrangements by Valderrábano, Pisador and Fuenllana follow exactly the precedent of the 1536 Willaert-Verdelot collection. They are tablature arrangements of the madrigals without modification that are sung in exactly the way that Verdelot and Willaert envisaged. In the absence of parallel sources in Italy, they are important not only as evidence of the spread of this practice to Spain, but also as the main written evidence that confirms a continuing practice of singing arrangements of 1530s madrigals for decades after they first appeared.ArtistVarious ArtistsTitlePer Voi ArdoFormatCDLabelIbs Classical
Reviews
This product doesn't have any reviews yet.
Compare similar products
![Various Artists - Per Voi Ardo - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/5bfc9439-fde1-4092-a006-67d4324cf658.jpg;maxHeight=422;maxWidth=264?format=webp)
Per voi ardo presents a large number of Italian madrigals in the form they are preserved in Spain in the vihuela books of Enríquez de Valderrábano (1547), Diego Pisador (1552) and Miguel de Fuenllana (1554). They are complemented by settings by Alonso Mudarra, original compositions like Milán's, using Italian texts of the same flavor, and with accompaniments that parallel the arranged madrigals in many ways. The arrangements by Valderrábano, Pisador and Fuenllana follow exactly the precedent of the 1536 Willaert-Verdelot collection. They are tablature arrangements of the madrigals without modification that are sung in exactly the way that Verdelot and Willaert envisaged. In the absence of parallel sources in Italy, they are important not only as evidence of the spread of this practice to Spain, but also as the main written evidence that confirms a continuing practice of singing arrangements of 1530s madrigals for decades after they first appeared.
![Wieniawski - Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22 - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/b9fd6742-2476-4ad2-8f04-e888a3bf810c.jpg;maxHeight=422;maxWidth=264?format=webp)
Henryk Wieniawski's Violin Concerto No. 2 in D Minor, Op. 22 performed by the Moscow RTV Symphony Orchestra and Irina Medvedeva with Valery Gergiev conducting.
![Various Artists - Music / Various - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/2d1817fb-71a7-429d-a453-18a54e22a6f1.jpg;maxHeight=422;maxWidth=264?format=webp)
Various Artists - Music / Various [COMPACT DISCS] date 04/23/2002
![Various Artists - P'ra Voce - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/b5a88b6c-d501-4bee-b0df-b6984060ed1a.jpg;maxHeight=422;maxWidth=264?format=webp)
I compose music because I love it. I love melodies, I love singing. And I have found out with pleasure that there is a public out there who is very interested in my music whenever I publish it. That's fantastic! I refuse to just compose music designed to be discovered and understood by future generations. With these words Carlos Guastavino (Santa Fe, 1912 - Buenos Aires, 2000) expressed himself, aware that his art belonged to those who wanted to hear and sing it, reneging on the customary exercise of the composer who seeks to be recognized by the umpteenth harmonic discovery never before tried out. Guastavino enriched the young voice of the Argentine people with his music, giving it a unique and identifiable tone, supporting the tip of his feet in a folklore to which he gave wings to surpass himself. InchCinco canciones argentinasInch (Five Argentinean songs), Op. 10. This work exemplarily shows the most characteristic features of what has come to be known as Ginastera's period of objective nationalism. Namely, the use of folkloric elements and tonal techniques together with other techniques which are typical of atonalism, especially in piano accompaniment.
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.