Various Artists - Phil's Spectre: Wall Of Soundalikes / Various - VINYL LP
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Limited 180 gram red vinyl LP pressing. Includes inner sleeve featuring rare photos and a 3000-word track commentary incorporating interviews with producers Nino Tempo, James Holvay and Peter Antell. Phil Spector did not produce the tracks on this LP. They all just sound as if he might have. Spector's sessions at Gold Star Studios in Los Angeles were celebrated for their extravagance. Using massed voices, an army of musicians and cavernous tape echo, his huge productions possessed a distinct aural identity. Many record producers, songwriters and arrangers attempted to hitch a ride on the Spector bandwagon but few met with his approval. InchThere's Beach Blanket Bingo, which is you guys,Inch he told producers Charlie Greene and Brian Stone. InchAnd there's me - Fellini. Inch Here, spanning the period 1963 to 1967, are a dozen convincing mirror images of his Wall of Sound.
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- GenreRockDescriptionLimited 180 gram red vinyl LP pressing. Includes inner sleeve featuring rare photos and a 3000-word track commentary incorporating interviews with producers Nino Tempo, James Holvay and Peter Antell. Phil Spector did not produce the tracks on this LP. They all just sound as if he might have. Spector's sessions at Gold Star Studios in Los Angeles were celebrated for their extravagance. Using massed voices, an army of musicians and cavernous tape echo, his huge productions possessed a distinct aural identity. Many record producers, songwriters and arrangers attempted to hitch a ride on the Spector bandwagon but few met with his approval. InchThere's Beach Blanket Bingo, which is you guys,Inch he told producers Charlie Greene and Brian Stone. InchAnd there's me - Fellini. Inch Here, spanning the period 1963 to 1967, are a dozen convincing mirror images of his Wall of Sound.ArtistVarious ArtistsTitlePhil's Spectre: Wall Of Soundalikes / VariousFormatVINYLLabelAce Records
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Limited 180 gram red vinyl LP pressing. Includes inner sleeve featuring rare photos and a 3000-word track commentary incorporating interviews with producers Nino Tempo, James Holvay and Peter Antell. Phil Spector did not produce the tracks on this LP. They all just sound as if he might have. Spector's sessions at Gold Star Studios in Los Angeles were celebrated for their extravagance. Using massed voices, an army of musicians and cavernous tape echo, his huge productions possessed a distinct aural identity. Many record producers, songwriters and arrangers attempted to hitch a ride on the Spector bandwagon but few met with his approval. InchThere's Beach Blanket Bingo, which is you guys,Inch he told producers Charlie Greene and Brian Stone. InchAnd there's me - Fellini. Inch Here, spanning the period 1963 to 1967, are a dozen convincing mirror images of his Wall of Sound.
Doppeldoppelganger, a compilation of tracks by poets and sound artists selected by David le Simple and Vincent Romagny, was created on the occasion of the three-exhibition Doppelganger cycle at the Centre Europeen d'Actions Artistiques Contemporaines, Strasbourg, France, curated by Romagny. The double LP is a purely subjective compilation of sound works by artists (Felicia Atkinson, bruant & spangaro), sound from films by artists (David Lamelas), sound poetry and performances (John Giorno, Karl Holmqvist, Lisa Holzer & David Jourdan), works by cult composers (Benjamin Britten, Jean-Francois Pauvros, Gerard Pesson, Jean-Claude Vannier), legendary groups (Deux Filles), unclassifiables (Potima Zen Neumann, Joiejoiejoie), and specially-recorded reprises, including Aidons Antoine mixing Karl Holmqvist, Melissa Saint-Pierre reprising Colin McPhee, Anne Steffens and Don Nino performing Kurt Weill, and David le Simple mixing Minh singt seine Sehnsucht. The album reflects the same concern that drove the exhibitions of the Doppelganger cycle - avoidance of thematic and formal constraints in pursuance of shifts in the concept of the double - plus a grounding in literary texts, which are represented by quotations to be found on the sleeve. Gerard Pesson transcribes Brahms's Fourth Ballade from memory years after hearing the work (Nebenstuck, 1998); Robert Rauschenberg reads, along with other artist friends of John Giorno, from the latter's Pornographic Poem (Raspberry/Pornographic Poem LP, The Intravenus Mind, 1967). 160-gram LP in gatefold sleeve with artwork by Karl Holmqvist and David Jourdan. Edition of 500.
Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat. These 13 selections are anchored in the deep blue waters of the American private press-a life preserver for any BBQ, birthday party, or bris. Let W3NG be the sonic wind at your back.
Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat. These 13 selections are anchored in the deep blue waters of the American private press-a life preserver for any BBQ, birthday party, or bris. Let W3NG be the sonic wind at your back.
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