Various Artists - Rivales - COMPACT DISCS [CD]
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Sandrine Piau and Véronique Gens have a longstanding rapport and dreamed of making a recording together. Here they pay tribute to two singers who, like them, were born within a year of each other, Mme Dugazon (1755-1821) and Mme Saint-Huberty (1756-1812) both enjoyed triumphant careers in Paris, inspiring numerous librettists and composers. Gluck even nicknamed Saint-Huberty 'Madame-la-Ressource', while 'a Dugazon' became a generic name for the roles of naïve girls in love, and later of comical mothers. Rivals? They very likely were, given the quarrelsome spirit of the operatic world of the time, even if they never crossed paths on stage. Intermingling airs and duets, Piau and Gens here play the heroines of Gluck, Grétry, Monsigny, J. C. Bach, Piccinni, Edelmann and Cherubini. Developed in collaboration with the Centre de musique baroque de Versailles, this program on the cusp between Classicism and pre-Romanticism is very much the heart of the repertory championed by Julien Chauvin's Le Concert de la Loge. Album Tracks 1. La Belle Arsène (1773) 2. Air InchOù Suis-Je ?Inch 3. Ariane Dans L'île de Naxos (1782) 4. Scène InchMais, Thésée Est AbsentInch 5. La Clemenza Di Scipione (1778) 6. Duo InchMe Infelice! Che Intendo?Inch 7. La Clemenza Di Tito (1752) 8. Air InchSe Mai SentiInch 9. Alceste (1776) 10. Air InchDivinités Du StyxInch 11. Fanny Morna (1799) 12. Air InchÔ Divinité TutélaireInch 13. L'embarras Des Richesses (1782) 14. Air InchDÈS Notre Enfance Unis Tous DeuxInch 15. Démophon (1788) 16. Scène InchUn Moment. À L'autelInch 17. Renaud (1782) 18. Air InchBarbare Amour, Tyran Des CœursInch 19. Aucassin Et Nicolette (1779) 20. Air InchCher Objet de Ma PenséeInch 21. Camille Ou Le Souterrain (1791) 22. Duo InchCiel Protecteur Des MalheureuxInch
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- GenreClassicalDescriptionSandrine Piau and Véronique Gens have a longstanding rapport and dreamed of making a recording together. Here they pay tribute to two singers who, like them, were born within a year of each other, Mme Dugazon (1755-1821) and Mme Saint-Huberty (1756-1812) both enjoyed triumphant careers in Paris, inspiring numerous librettists and composers. Gluck even nicknamed Saint-Huberty 'Madame-la-Ressource', while 'a Dugazon' became a generic name for the roles of naïve girls in love, and later of comical mothers. Rivals? They very likely were, given the quarrelsome spirit of the operatic world of the time, even if they never crossed paths on stage. Intermingling airs and duets, Piau and Gens here play the heroines of Gluck, Grétry, Monsigny, J. C. Bach, Piccinni, Edelmann and Cherubini. Developed in collaboration with the Centre de musique baroque de Versailles, this program on the cusp between Classicism and pre-Romanticism is very much the heart of the repertory championed by Julien Chauvin's Le Concert de la Loge. Album Tracks 1. La Belle Arsène (1773) 2. Air InchOù Suis-Je ?Inch 3. Ariane Dans L'île de Naxos (1782) 4. Scène InchMais, Thésée Est AbsentInch 5. La Clemenza Di Scipione (1778) 6. Duo InchMe Infelice! Che Intendo?Inch 7. La Clemenza Di Tito (1752) 8. Air InchSe Mai SentiInch 9. Alceste (1776) 10. Air InchDivinités Du StyxInch 11. Fanny Morna (1799) 12. Air InchÔ Divinité TutélaireInch 13. L'embarras Des Richesses (1782) 14. Air InchDÈS Notre Enfance Unis Tous DeuxInch 15. Démophon (1788) 16. Scène InchUn Moment. À L'autelInch 17. Renaud (1782) 18. Air InchBarbare Amour, Tyran Des CœursInch 19. Aucassin Et Nicolette (1779) 20. Air InchCher Objet de Ma PenséeInch 21. Camille Ou Le Souterrain (1791) 22. Duo InchCiel Protecteur Des MalheureuxInchArtistVarious ArtistsTitleRivalesFormatCDLabelAlpha
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Sandrine Piau and Véronique Gens have a longstanding rapport and dreamed of making a recording together. Here they pay tribute to two singers who, like them, were born within a year of each other, Mme Dugazon (1755-1821) and Mme Saint-Huberty (1756-1812) both enjoyed triumphant careers in Paris, inspiring numerous librettists and composers. Gluck even nicknamed Saint-Huberty 'Madame-la-Ressource', while 'a Dugazon' became a generic name for the roles of naïve girls in love, and later of comical mothers. Rivals? They very likely were, given the quarrelsome spirit of the operatic world of the time, even if they never crossed paths on stage. Intermingling airs and duets, Piau and Gens here play the heroines of Gluck, Grétry, Monsigny, J. C. Bach, Piccinni, Edelmann and Cherubini. Developed in collaboration with the Centre de musique baroque de Versailles, this program on the cusp between Classicism and pre-Romanticism is very much the heart of the repertory championed by Julien Chauvin's Le Concert de la Loge. Album Tracks 1. La Belle Arsène (1773) 2. Air InchOù Suis-Je ?Inch 3. Ariane Dans L'île de Naxos (1782) 4. Scène InchMais, Thésée Est AbsentInch 5. La Clemenza Di Scipione (1778) 6. Duo InchMe Infelice! Che Intendo?Inch 7. La Clemenza Di Tito (1752) 8. Air InchSe Mai SentiInch 9. Alceste (1776) 10. Air InchDivinités Du StyxInch 11. Fanny Morna (1799) 12. Air InchÔ Divinité TutélaireInch 13. L'embarras Des Richesses (1782) 14. Air InchDÈS Notre Enfance Unis Tous DeuxInch 15. Démophon (1788) 16. Scène InchUn Moment. À L'autelInch 17. Renaud (1782) 18. Air InchBarbare Amour, Tyran Des CœursInch 19. Aucassin Et Nicolette (1779) 20. Air InchCher Objet de Ma PenséeInch 21. Camille Ou Le Souterrain (1791) 22. Duo InchCiel Protecteur Des MalheureuxInch
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