Various - Centennial - COMPACT DISCS [CD]
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New from Navona Records is saxophonist José Antonio Zayas Cabán's CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during it's 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality. Zayas Cabán, the central collaborator and performer on Centennial, merges the musical and the political. As a native Puerto Rican and 2020-2021 McKnight Fellow, he works to develop musical projects and collaborations that confront current events and social issues. As historian Katheryn Lawson describes, Shelley Washington's BIG Talk opens from a place of exasperation and power, speaking out against the wide spectrum of rape culture. The Inchunrelenting, churning duoInch between baritone saxophones urges listeners to Inchstop perpetuating rape culture by any and every means necessary.Inch Gemma Peacocke's Skin takes a New Zealander's view on the ways the U.S. was built and is constantly remade from the illogics of race. Author of the CENTENNIAL opening essay, Lawson states, Inchanxieties about sexuality between races, between and among genders, are endemic to this system.Inch Amanda Feery's Gone to Earth responds to the present moment through the lens of Mary Webb's novel of the same name. The phrase Inchgone to earthInch refers to foxes hiding in a hunt, a metaphor for the ways women are InchhuntedInch in societies. Feery was Inchstunned that [the novel] was written in 1917, and angry that the notion of the predatory hunt and desire to control women is still very much a threat to women's lives today.Inch Fanny Mendelssohn Hensel has long been a source of inspiration for those in search of female musicians and composers. A prodigy who struggled against patriarchal expectations, she premiered the Piano Trio in D minor in one of her Su
- GenreClassicalDescriptionNew from Navona Records is saxophonist José Antonio Zayas Cabán's CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during it's 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality. Zayas Cabán, the central collaborator and performer on Centennial, merges the musical and the political. As a native Puerto Rican and 2020-2021 McKnight Fellow, he works to develop musical projects and collaborations that confront current events and social issues. As historian Katheryn Lawson describes, Shelley Washington's BIG Talk opens from a place of exasperation and power, speaking out against the wide spectrum of rape culture. The Inchunrelenting, churning duoInch between baritone saxophones urges listeners to Inchstop perpetuating rape culture by any and every means necessary.Inch Gemma Peacocke's Skin takes a New Zealander's view on the ways the U.S. was built and is constantly remade from the illogics of race. Author of the CENTENNIAL opening essay, Lawson states, Inchanxieties about sexuality between races, between and among genders, are endemic to this system.Inch Amanda Feery's Gone to Earth responds to the present moment through the lens of Mary Webb's novel of the same name. The phrase Inchgone to earthInch refers to foxes hiding in a hunt, a metaphor for the ways women are InchhuntedInch in societies. Feery was Inchstunned that [the novel] was written in 1917, and angry that the notion of the predatory hunt and desire to control women is still very much a threat to women's lives today.Inch Fanny Mendelssohn Hensel has long been a source of inspiration for those in search of female musicians and composers. A prodigy who struggled against patriarchal expectations, she premiered the Piano Trio in D minor in one of her SuArtistVariousTitleCentennialFormatCDLabelNavona
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New from Navona Records is saxophonist José Antonio Zayas Cabán's CENTENNIAL, an album of cutting-edge solo and chamber music reflecting on the shortcomings of the 19th Amendment during it's 100-year anniversary. Rather than celebrating, this album urges listeners to recognize the significant work that remains in achieving global equality. Zayas Cabán, the central collaborator and performer on Centennial, merges the musical and the political. As a native Puerto Rican and 2020-2021 McKnight Fellow, he works to develop musical projects and collaborations that confront current events and social issues. As historian Katheryn Lawson describes, Shelley Washington's BIG Talk opens from a place of exasperation and power, speaking out against the wide spectrum of rape culture. The Inchunrelenting, churning duoInch between baritone saxophones urges listeners to Inchstop perpetuating rape culture by any and every means necessary.Inch Gemma Peacocke's Skin takes a New Zealander's view on the ways the U.S. was built and is constantly remade from the illogics of race. Author of the CENTENNIAL opening essay, Lawson states, Inchanxieties about sexuality between races, between and among genders, are endemic to this system.Inch Amanda Feery's Gone to Earth responds to the present moment through the lens of Mary Webb's novel of the same name. The phrase Inchgone to earthInch refers to foxes hiding in a hunt, a metaphor for the ways women are InchhuntedInch in societies. Feery was Inchstunned that [the novel] was written in 1917, and angry that the notion of the predatory hunt and desire to control women is still very much a threat to women's lives today.Inch Fanny Mendelssohn Hensel has long been a source of inspiration for those in search of female musicians and composers. A prodigy who struggled against patriarchal expectations, she premiered the Piano Trio in D minor in one of her Su

Double white colored vinyl LP pressing. 2024 . The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her InchlifelineInch record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on InchFortnightInch and the English indie rock band Florence and the Machine on InchFlorida!!!Inch. Each of the four physical versions of the album include one additional bonus track. Album Tracks 1. Fortnight (Feat. Post Malone) 2. The Tortured Poets Department 3. My Boy Only Breaks His Favorite Toys 4. Down Bad 1. So Long London 2. But Daddy I Love Him 3. Fresh Out the Slammer 4. Florida!!! (Feat. Florence + the Machine) 1. Guilty As Sin? 2. Who's Afraid of Little Old Me? 3. I Can Fix Him (No Really I Can) 4. Loml 1. I Can Do It with a Broken Heart 2. The Smallest Man Who Ever Lived 3. The Alchemy 4. Clara Bow 5. The Manuscript (Bonus Track)
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