Various - Lieder - COMPACT DISCS [CD]

Album Tracks 1. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 1. Prelude 2. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 1. Samson, Recherchant Ma Présence 3. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 1. Amour! Viens Aider Ma Faiblesse 4. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 2. J'ai Gravi la Montagne 5. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 2. Il Faut, Pour Assouvir Ma Haine 6. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 2. en Ces Lieux, Malgré Moi 7. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 3. D'israël Renaît L'espérance 8. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 3. Mon Couer S'ouvre À Ta Voix 9. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 3. Mais!... Non! Que Dis-Je? Hélas! 10. Samson Et Dalila, Opera in 3 Acts, Op. 47 Act 2. Scene 3. End of Scene 3 11. Les Troyens, Opera, H. 133A La Prise de Troie 1. Act 2. Scene 2. Pantomime 'Andromaque Et Son Fils' 12. Les Troyens, Opera, H. 133A La Prise de Troie 1. Act 2. Scene 3. Du Peuple Et Des Soldats 13. Les Troyens, Opera, H. 133A La Prise de Troie 1. Act 2. Scene 3. Châtiment Effroyable! 14. Les Troyens, Opera, H. 133A La Prise de Troie 1. Act 2. Scene 3. Que la Déesse Nous Protège! 15. Les Troyens, Opera, H. 133A La Prise de Troie 1. Act 1. Scene 2. Prelude / Les Grecs Ont Disparu! 16. Les Troyens, Opera, H. 133A La Prise de Troie 1. Act 1. Scene 3. Quand Troie Éclate en Transports 1. Les Troyens, Opera, H. 133A La Prise de Troie 2. Act 3. Quelle Espérance Encor 2. Les Troyens, Opera, H. 133A La Prise de Troie 2. Act 3. Tableau 2. Scene 1-3. Ha! Puissante Cybèle 3. Les Troyens, Opera, H. 133A Act 1. Scene 2. Gloire, Gloire À Didon 4. Les Troyens, Opera, H. 133A Act 1. Scene 4. Les Chants Joyeux 5. Les Troyens, Opera, H. 133A Act 1. Scene

20 years ago, Helen Buchholtz was an enigmatic unknown. In 1999, two suitcases containing around 250 music manuscripts were found, which have since become accessible in the archive of Helen Buchholtz in CID Fraen. Only by chance had they survived the notes, packed in sacks after the death of the composer, had been saved from a fire by a nephew at the last minute. Helen Buchholtz, daughter of a wealthy brewery owner, received early lessons in music. At the age of 36, she married a German doctor and moved with him to Wiesbaden. Widowed early, she returned to Luxembourg, where she frequented poets and musicians. There her music was performed in concerts and on the radio. The double album presents a selection of her best 51 songs and ballads, which are selectively placed in a dialogue with contemporary music Inspired by Helen Buchholtz's late Romantic music, Catherine Kontz, Albena Petrovic-Vratchanska, Stevie Wishart and Tatsiana Zelianko composed four new songs.

Karl Marx has said very little about music; from a Marxist point of view this could be explained by the fact that, since he spent most of his adult life in poverty in London, he had no opportunity to experience music. However, this has not prevented composers, especially in the last hundred years, from making him their subject or using his thoughts. For the Marx Year 2019 some current examples of the musical engagement with Marx are presented here. Birmingham Contemporary Music Group is one of the world's foremost new music ensembles. Over three decades, BCMG has developed the music of today for the audiences of tomorrow. The ensemble has commissioned over 175 pieces of music from the world's finest composers and emerging international talent. Many of the works have been commissioned through it's innovative pioneering Sound Investment crowd-funding scheme to which over 500 donors have contributed more than £300,000; many of these works have subsequently found their way into worldwide repertoire.