Various - Music for Strings - COMPACT DISCS [CD]
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A truly rare original Long Playing is here out for the first time on album. The highly musical family of the violinist Emil Telmányi are performing music by two composers close to them and which they have championed all their life. The Nielsen Quintet, a rarely heard early work by the young composer, is here receiving it's first modern together with a selection of the romantic J.P.E. Hartmann works for strings. One critic called the LP Inchone of the most important additions to Danish music.Inch Emil Telmányi (22 June 1892 - 13 June 1988) was a Hungarian violinist. Telmányi, who was born in Arad, Partium, Transylvania, then in the Kingdom of Hungary, was also an exponent of the composer Carl Nielsen, having recorded some of his violin sonatas and his violin concerto. Telmányi settled in Copenhagen and was married to Nielsen's daughter, Anne Marie, from 1918 to 1933. One of his most famous recordings is a 1954 recording of Bach's Sonatas and partitas for solo violin played using a violin with what was referred to as the Bach (or Vega) bow, which could be adjusted so the player could play three or even all four strings of the violin at once. He died, aged 95, in Holte, Denmark.
- GenreClassicalDescriptionA truly rare original Long Playing is here out for the first time on album. The highly musical family of the violinist Emil Telmányi are performing music by two composers close to them and which they have championed all their life. The Nielsen Quintet, a rarely heard early work by the young composer, is here receiving it's first modern together with a selection of the romantic J.P.E. Hartmann works for strings. One critic called the LP Inchone of the most important additions to Danish music.Inch Emil Telmányi (22 June 1892 - 13 June 1988) was a Hungarian violinist. Telmányi, who was born in Arad, Partium, Transylvania, then in the Kingdom of Hungary, was also an exponent of the composer Carl Nielsen, having recorded some of his violin sonatas and his violin concerto. Telmányi settled in Copenhagen and was married to Nielsen's daughter, Anne Marie, from 1918 to 1933. One of his most famous recordings is a 1954 recording of Bach's Sonatas and partitas for solo violin played using a violin with what was referred to as the Bach (or Vega) bow, which could be adjusted so the player could play three or even all four strings of the violin at once. He died, aged 95, in Holte, Denmark.ArtistVariousTitleMusic for StringsFormatCDLabelDanacord Records
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A truly rare original Long Playing is here out for the first time on album. The highly musical family of the violinist Emil Telmányi are performing music by two composers close to them and which they have championed all their life. The Nielsen Quintet, a rarely heard early work by the young composer, is here receiving it's first modern together with a selection of the romantic J.P.E. Hartmann works for strings. One critic called the LP Inchone of the most important additions to Danish music.Inch Emil Telmányi (22 June 1892 - 13 June 1988) was a Hungarian violinist. Telmányi, who was born in Arad, Partium, Transylvania, then in the Kingdom of Hungary, was also an exponent of the composer Carl Nielsen, having recorded some of his violin sonatas and his violin concerto. Telmányi settled in Copenhagen and was married to Nielsen's daughter, Anne Marie, from 1918 to 1933. One of his most famous recordings is a 1954 recording of Bach's Sonatas and partitas for solo violin played using a violin with what was referred to as the Bach (or Vega) bow, which could be adjusted so the player could play three or even all four strings of the violin at once. He died, aged 95, in Holte, Denmark.
Limited 180gm vinyl LP pressing in gatefold jacket In 1976, seven Cabo Verdean musicians going by the name Voz Di Sanicolau gathered in a small recording studio in Rotterdam where they laid down an album of fearsome coladeira songs inspired by the music of their home island of So Nicolau. The album took only a few days to record, which may explain the unexpected urgency that fires each track. Treble-soaked electric guitar lines snake back and forth through percussion-and-cavaquinho driven rhythms rooted in the sound of the islands established by the previous generation of Cabo Verdean migrs; subtle keyboards wash through the background, and the vocals, traded between Joana Do Rosario and T-Z, alternately push the music forward and soar above it. The resulting album is both deeply felt and fiercely executed, and in it's grooves one hears the sound of some of the finest Cabo Verdean musicians of their era locked in complete unity of purpose. It should have been the beginning of something extraordinary; but the pressures of making ends meet forced the musicians back to their day jobs, and Voz Di Sanicolau vanished as quickly as they had appeared, leaving their lone album, Fundo de Mar Palinha, as sole proof of their existence. Forty-four years later the album sounds as fresh as it did the day it was recorded. It is unknown if dutch sound engineer Frans Rolland, who oversaw the recordings, knew he was helping to make history during these sessions, Joana Do Rosario, whose majestic vocals were crucial to the sound of Voz Di Sanicolau, became the first Cabo Verdean woman ever to appear on a long playing record.
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