Vegas Water Taxi - Things Are Gonna Be Alright (Extended Edition) - Red - VINYL LP

Alan Vega's self-titled debut solo album was released in 1980 during the sameperiod Suicide released their second album, Suicide Alan Vega and Martin Rev.While Suicide's tag ZE Records was interested in pushing the duo toward asynthetic disco sound inspired by Moroder's production on Donna Summer'sInchI Feel Love,Inch Vega felt a pull in a different direction. He wanted to dig deeper intothe roots of his own sonic identity, fueled by blues, rockabilly, early rock n roll,and his enduring love for Elvis Presley. Filling the gaps between recording withSuicide, and fleshing out the songs he was writing on his own, Vega started creat-ing his first record and performing live to develop this sound.As with his visual art, Vega layered sound in a minimalist, dynamic and inten-tional way. The result was a fiercely singular album built from raw materials anddeeply rooted in Vega's artistic vision. Tracks like the classic anthem InchJukeboxBabeInch with it's jiving rhythm and minimalist swagger, captured that approachcompletely and went on to become a hit in France. InchKung Foo CowboyInch takes ona southern twist, strongly leaning into the blues, while the golden pop shine ofInchIce DrummerInch rings in melodic yet plaintive vocals, marching drums and a taste-ful harmonica solo. InchBye Bye BayouInch is a haunted slice of mutant rockabilly thatfuses 50s rock with Vega's eccentric performance style and was later reimaginedin the 2009 cover by LCD Soundsystem, introducing Vega's solo work to a newgeneration. Similarly, The Flaming Lips' cover of InchIce DrummerInch paid homageto Vega's outsider spirit.Now remastered by Josh Bonati from the original tapes and available on stream-ing services for the first time, Alan Vega has been faithfully reissued by SacredBones Records, preserving the raw intensity of Vega's original recordings whilemaking them newly accessible to listeners aro

Gershwin in Hollywood - Live at the Royal Albert Hall JOHN WILSON ORCHESTRA - For this , Warner Classics is proud to present Gershwin in Hollywood, recorded live at the Royal Albert Hall, at the culmination of this extraordinary orchestra's sell-out UK tour in 2015. It includes well-known Gershwin favorites of the American Songbook, such as How Long Has This Been Going On?, The Man I Love, 'S Wonderful and They Can't Take That Away From Me, as well as rarely recorded gems like Slap That Bass, Treat Me Rough, and the magestic orchestral Overture from the film Rhapsody in Blue. With superb vocals from regular JWO guests Matt Ford and Louise Dearman, and the rich orchestral sound so evocative of Hollywood's Golden Age, all under the direction of John Wilson, this CD captures the thrilling atmosphere of a night to remember.

Collision Drive is Alan Vega's second solo studio album, originally released in1981. If his debut laid the groundwork for a raw, minimalist take on rockabillyand blues, Collision Drive expands the palette with a grittier, more layered, andunfiltered energy. Here Vega's lyrics channel universal themes rooted in hisfascination with street life, science fiction, politics, comics, love and the mysteriesof the universe. It's a record that pulses with feeling and rebellion, displaying thefull spectrum of human experience and Vega's evolving vision.Alan was always reinventing himself, creating and refining his mastery of varia-tion while maintaining his own unparalleled and identifiable aesthetic. Sonically,this album is more dynamic than his first. Ditching drum machines for a livedrummer, and enlisting a hard rock band to back him, Collision Drive offered adifferent view of Vega's artistic vision. The aching punk rockabilly of InchMagdalena82Inch unfolds with a hypnotic blend of guitar slides and frenetic energy, whileVega's cover of InchBe Bop A LulaInch transforms Gene Vincent's classic into an aggres-sively charged, manic howl. Elsewhere, tracks like the hard-driving cosmic rockn roll InchRaverInch push into psychobilly territory. Vega was relentlessly innovative, continuously paving new ground.Newly remastered by Josh Bonati from the original tapes, Collision Drive receivesa reverent reissue from Sacred Bones Record.Here we witness the full ascension into his own mythology part rockabilly out-law, part cosmic preacher, part outsider visionary. Broader in scope than his debutbut just as uncompromising, Collision Drive is a bold and personal explorationof sound and identity. Raw, electrifying, and groundbreaking, it remains a cultcornerstone of outsider rock and a touchstone in the evolution of art-punk andexperimental pop from one of New York's most fearless icons.