Velocity Girl - Ultracopacetic (Copacetic Remixed and Expanded) - COMPACT DISCS [CD]
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Velocity Girl formed in 1989 or so at the University of Maryland outside Washington DC, and shortly thereafter settled on the lasting lineup of guitarist Archie Moore (Black Tambourine), guitarist Brian Nelson (Black Tambourine), drummer Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), bassist Kelly Riles (Starry Eyes), and singer Sarah Shannon (Starry Eyes, The Not It's). The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic '60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti of the day, and, following a heated courtship involving both dinner AND dessert, Velocity Girl signed a contract on a car hood in Hoboken, New Jersey, making Sub Pop their home. In 1992 the band began work on their debut album, Copacetic, at Easley Studios - once home base to the Bar-Kays and other classic soul bands - in Memphis with Bob Weston (Volcano Suns, Shellac) at the helm, and then mixed the album with Weston in Chicago. While the album had strong songs - pop tunes like InchAudrey's Eyes,Inch InchPop Loser,Inch and InchLiving WellInch alongside ambitious explorations like InchPretty SisterInch and InchHere ComesInch - the band had little experience with production and lacked the skills to Inchdrive the boatInch in the studio. As a result, the album turned out to be a rather stripped-down affair, lacking the lushness of their prior recordings. To the band's ear it was jarring, and they soon realized this wasn't the record they hoped to make. Bob Weston had done exactly what was asked of him and captured the sounds, but the band didn't do it's part to articulate a clear vision. But the band's slot in the studio was over, and Polvo had just showed up to work on their album, so off Velocity Girl went to shoot the video for InchAudrey's
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- GenreRockDescriptionVelocity Girl formed in 1989 or so at the University of Maryland outside Washington DC, and shortly thereafter settled on the lasting lineup of guitarist Archie Moore (Black Tambourine), guitarist Brian Nelson (Black Tambourine), drummer Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), bassist Kelly Riles (Starry Eyes), and singer Sarah Shannon (Starry Eyes, The Not It's). The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic '60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti of the day, and, following a heated courtship involving both dinner AND dessert, Velocity Girl signed a contract on a car hood in Hoboken, New Jersey, making Sub Pop their home. In 1992 the band began work on their debut album, Copacetic, at Easley Studios - once home base to the Bar-Kays and other classic soul bands - in Memphis with Bob Weston (Volcano Suns, Shellac) at the helm, and then mixed the album with Weston in Chicago. While the album had strong songs - pop tunes like InchAudrey's Eyes,Inch InchPop Loser,Inch and InchLiving WellInch alongside ambitious explorations like InchPretty SisterInch and InchHere ComesInch - the band had little experience with production and lacked the skills to Inchdrive the boatInch in the studio. As a result, the album turned out to be a rather stripped-down affair, lacking the lushness of their prior recordings. To the band's ear it was jarring, and they soon realized this wasn't the record they hoped to make. Bob Weston had done exactly what was asked of him and captured the sounds, but the band didn't do it's part to articulate a clear vision. But the band's slot in the studio was over, and Polvo had just showed up to work on their album, so off Velocity Girl went to shoot the video for InchAudrey'sArtistVelocity GirlTitleUltracopacetic (Copacetic Remixed and Expanded)FormatCDLabelSub Pop
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Velocity Girl formed in 1989 or so at the University of Maryland outside Washington DC, and shortly thereafter settled on the lasting lineup of guitarist Archie Moore (Black Tambourine), guitarist Brian Nelson (Black Tambourine), drummer Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), bassist Kelly Riles (Starry Eyes), and singer Sarah Shannon (Starry Eyes, The Not It's). The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic '60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti of the day, and, following a heated courtship involving both dinner AND dessert, Velocity Girl signed a contract on a car hood in Hoboken, New Jersey, making Sub Pop their home. In 1992 the band began work on their debut album, Copacetic, at Easley Studios - once home base to the Bar-Kays and other classic soul bands - in Memphis with Bob Weston (Volcano Suns, Shellac) at the helm, and then mixed the album with Weston in Chicago. While the album had strong songs - pop tunes like InchAudrey's Eyes,Inch InchPop Loser,Inch and InchLiving WellInch alongside ambitious explorations like InchPretty SisterInch and InchHere ComesInch - the band had little experience with production and lacked the skills to Inchdrive the boatInch in the studio. As a result, the album turned out to be a rather stripped-down affair, lacking the lushness of their prior recordings. To the band's ear it was jarring, and they soon realized this wasn't the record they hoped to make. Bob Weston had done exactly what was asked of him and captured the sounds, but the band didn't do it's part to articulate a clear vision. But the band's slot in the studio was over, and Polvo had just showed up to work on their album, so off Velocity Girl went to shoot the video for InchAudrey's
Pork Soda is the third studio album by the American rock band Primus, originally released April 20, 1993, certified Gold in September 1993 and certified Platinum in May 1997. This is also the first of three Primus releases to feature explicit lyrics printed for any of their songs. The album was performed in it's entirety for the first time at The Fox Theater in Oakland, California, on December 31st, 2015. The album contains darker content than previous Primus efforts, featuring lyrics dealing with murder, suicide, and alienation. The band has commented that prior to recording, they had been touring for nearly two solid years and were thus in a sombre mood, although in a 2015 interview Claypool described the era surrounding the album as InchGood times, happy times. It's not like we were reflecting any personal drama or anything.Inch
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