Venetian Snares - Venetian Snares X Daniel Lanois - COMPACT DISCS [CD]
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An appetite for the unknown - Daniel Lanois No collaboration is unlikely when the end goals are the same. A meeting of two artists who illustrate different corners of the musical landscape, come together to create a new statement that takes their collective strengths to higher elevations and encompasses new terrains. So it is on the first collaborative journey of Canadian musicians Venetian Snares and Daniel Lanois. What started as mutual respect for one anothers work, led to several years of a creative germination resulting in an eight-track full-length exploration released May 4th on Timesig/Planet Mu. The path began in 2014, after Lanois reached out to Venetian Snares (Aaron Funk) as a fan of his work. The project started to take root in Summer of 2016, after Funk hung around Toronto between shows. Taking his gear to Lanois' studio, the two began to play for the first time together in what would prove to be a formative moment in their creative journey together. InchI love making music with Dan, he has a real understanding of how to create a world and build what may exist within that world. Bassdrums are trombones and they are a colossal whale which floats on clouds of leaves speaking to the blast furnace feeding the mammoth. A small painting of forest horses hangs in the cranium of the sea horse.Inch - Aaron Funk Recorded live in a former Buddhist temple-turned-studio in Toronto, 'Venetian Snares x Daniel Lanois' travels to new zones in what Lanois describes as Incha body of work driven by explorationInch. Like all the best collaborations, it's brought something new out of both musicians. Equipped with their production acuity, they let their natural workflow guide them through uncharted waters. Funk laid the groundwork with drums while Lanois rode the pedal steel, weaving their sounds together in a new sonic tapestry. The two ultimately landed at their destination,
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- GenreDance and electronicDescriptionAn appetite for the unknown - Daniel Lanois No collaboration is unlikely when the end goals are the same. A meeting of two artists who illustrate different corners of the musical landscape, come together to create a new statement that takes their collective strengths to higher elevations and encompasses new terrains. So it is on the first collaborative journey of Canadian musicians Venetian Snares and Daniel Lanois. What started as mutual respect for one anothers work, led to several years of a creative germination resulting in an eight-track full-length exploration released May 4th on Timesig/Planet Mu. The path began in 2014, after Lanois reached out to Venetian Snares (Aaron Funk) as a fan of his work. The project started to take root in Summer of 2016, after Funk hung around Toronto between shows. Taking his gear to Lanois' studio, the two began to play for the first time together in what would prove to be a formative moment in their creative journey together. InchI love making music with Dan, he has a real understanding of how to create a world and build what may exist within that world. Bassdrums are trombones and they are a colossal whale which floats on clouds of leaves speaking to the blast furnace feeding the mammoth. A small painting of forest horses hangs in the cranium of the sea horse.Inch - Aaron Funk Recorded live in a former Buddhist temple-turned-studio in Toronto, 'Venetian Snares x Daniel Lanois' travels to new zones in what Lanois describes as Incha body of work driven by explorationInch. Like all the best collaborations, it's brought something new out of both musicians. Equipped with their production acuity, they let their natural workflow guide them through uncharted waters. Funk laid the groundwork with drums while Lanois rode the pedal steel, weaving their sounds together in a new sonic tapestry. The two ultimately landed at their destination,ArtistVenetian SnaresTitleVenetian Snares X Daniel LanoisFormatCDLabelPlanet Mu
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An appetite for the unknown - Daniel Lanois No collaboration is unlikely when the end goals are the same. A meeting of two artists who illustrate different corners of the musical landscape, come together to create a new statement that takes their collective strengths to higher elevations and encompasses new terrains. So it is on the first collaborative journey of Canadian musicians Venetian Snares and Daniel Lanois. What started as mutual respect for one anothers work, led to several years of a creative germination resulting in an eight-track full-length exploration released May 4th on Timesig/Planet Mu. The path began in 2014, after Lanois reached out to Venetian Snares (Aaron Funk) as a fan of his work. The project started to take root in Summer of 2016, after Funk hung around Toronto between shows. Taking his gear to Lanois' studio, the two began to play for the first time together in what would prove to be a formative moment in their creative journey together. InchI love making music with Dan, he has a real understanding of how to create a world and build what may exist within that world. Bassdrums are trombones and they are a colossal whale which floats on clouds of leaves speaking to the blast furnace feeding the mammoth. A small painting of forest horses hangs in the cranium of the sea horse.Inch - Aaron Funk Recorded live in a former Buddhist temple-turned-studio in Toronto, 'Venetian Snares x Daniel Lanois' travels to new zones in what Lanois describes as Incha body of work driven by explorationInch. Like all the best collaborations, it's brought something new out of both musicians. Equipped with their production acuity, they let their natural workflow guide them through uncharted waters. Funk laid the groundwork with drums while Lanois rode the pedal steel, weaving their sounds together in a new sonic tapestry. The two ultimately landed at their destination,
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Greg Hates Car Culture was Venetian Snares' first ever vinyl . Long out of print, it came out in 1999, as the third on Minneapolis tag History Of The Future. Aaron Funk's hallmarks were there from the start. His absurdist sense of humour, the razor sharp edits and his use of odd time-signatures. There is a rawness here, not often captured on later records, where you can imagine Aaron playing live in front of a room full of young breakcore fanatics. Indeed most of the tracks here were recorded live, tweaking his effects and EQ on the fly, to DAT from his Amiga.The album opens with InchPersonal DiscourseInch, recorded in 1997, which samples Aaron calling into a Dominatrix live on community cable TV, while InchF**k A Stranger In The AssInch samples from the film The Big Lebowski. The track InchAqapInch has a different sound to the others having been recorded later, in 1998, on Aaron's first PC. We have also added three hitherto unreleased 1997 tracks to this reissue. Two of them InchEating America..Inch and InchPunk KidsInch appeared on Venetian Snares rare self-released 1998 cassette Spells and the long sought after InchMilkInch was only passed around by his friends. Greg Hates Car Culture let's you hear the raw energy of a musician at the birth of his sound.01 Personal Discourse02 Like Tooth Decay03 F**k A Stranger In The Ass04 Point Blank05 Boiled Angel06 Cricket Spine Bin07 Aqap08 Milk09 Eating America With Pointed Dentures10 Punk Kids
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