Verdi / Callas / Valletti / Zanasi / Collier - La Traviata - COMPACT DISCS [CD]

Album Tracks 1. Concerto for Violin and Orchestra in E minor Op.64 - Nathan Milstein - Nathan Milstein 2. Concerto for Violin and Orchestra in D Op.77 - Igor Markevitch - Igor Markevitch

Adriana Hölszky's own comments concerning her music reveal her fascinating use of parameters such as InchspaceInch and InchtimeInch. She prefers to describe her works as individually structured Inchsound spacesInch. There are Inchexpanding and shrinking spacesInch, and there are shifts from one sound area to another, which she compares to film editing with it's sharp cuts or gentle fades. There are sudden InchintrusionsInch of one sound area into another, and sometimes two or more sound areas are superimposed. Also, the concept of time does not exist for her as a single entity Temporal processes appear in multiple strands in her music cosmic time, terrestrial time, and an endless variety of experiential times that permeate one another and are superimposed.Her work InchEfeu und LichtfeldInch [Ivy and Field of Light] also contains a stark contrast within itself. InchThe worlds of the violin and organ appear to exist independently of one another. The violin figures move like pin pricks in a disconnected and restless fashion, primarily in the extreme upper register of the instrument. The organ sounds are like pulsating sources of light. The multiple meanings of the contrasting sounds arise finally as a consequence of the interaction between gradual transformations of color and discontinuous changes in pulse.Inch (Hölszky) Album Tracks 1. Und Ich Sah Wie Ein Gläsernes Meer Mit Feuer Gemischt 2. Efeu Und Lichtfeld 3. Ein Wort 4. Ein Glanz 5. Ein Flug, Ein Feuer, Ein Flammenwurf, Ein Sternenstrichnz 6. Und Wieder Dunkel, Ungeheuer, Im Leeren Raum Um Welt Und Ich

Is this March 1958, Lisbon La Traviata by Giuseppe Verdi the best on record? Having in your cast, at that time, the role of Alfredo Germont sung by the great and classy tenor Alfredo Kraus surely enhances a recording's prospects toward that nomination. With Maria Callas as Violetta and Mario Sereni as Giorgio Germont, and also including the complete Radio Announcement which is missing on all other releases of this performance, and in excellent sound due to direct master tape transfers, it surely ranks high. Album Tracks 1. Callas' Radio Message 2. La Traviata, Opera Act 1. Introduzione 3. La Traviata, Opera Act 1. Dell'invito Trascorsa È Già 4. La Traviata, Opera Act 1. Libiam Ne' Lieti Calici 5. La Traviata, Opera Act 1. Che È Ciò? 6. La Traviata, Opera Act 1. Un DÌ, Felice, Eterea 7. La Traviata, Opera Act 1. Ebben?... Che Diavol Fate? 8. La Traviata, Opera Act 1. Si Ridesta in Ciel L'aurora 9. La Traviata, Opera Act 1. E' Strano!... È Strano! 10. La Traviata, Opera Act 1. Ah, Fors'è Lui 11. La Traviata, Opera Act 1. Follie!... Follie... Sempre Libera Degg'io 12. La Traviata, Opera Act 2. Lunge Da Lei Per Me Non V'ha Diletto! 13. La Traviata, Opera Act 2. De' Miei Bollenti Spiriti 14. La Traviata, Opera Act 2. Annina, Donde Vieni? 15. La Traviata, Opera Act 2. Alfredo?... Per Parigi or or Partiva 16. La Traviata, Opera Act 2. Madamigella Valery? 17. La Traviata, Opera Act 2. Pura Siccome Un Angelo 18. La Traviata, Opera Act 2. Non Sapete Quale Affetto 19. La Traviata, Opera Act 2. Un DÌ, Quando Le Veneri 20. La Traviata, Opera Act 2. Dite Alla Giovine - 21. La Traviata, Opera Act 2. Or Imponete 22. La Traviata, Opera Act 2. Morrò!... La Mia Memoria 23. La Traviata, Opera Act 2. Dammi Tu Forza, O Cielo! 24. La Traviata, Opera Act 2. Amami Alfredo 25. La Traviata, Opera Act 2. Ah, Vive Sol Q