Verdi / Spina / Oren - Il Trovatore - COMPACT DISCS [CD]

Lucas Jussen & Arthur - Beethoven Piano Sonatas [COMPACT DISCS] Hong Kong - Import date 11/11/2013

David Oistrakh Trio is an unofficial name for the trio organized in 1940 by David Oistrach with his long-time accompanist Lev Oborin (piano) and Sviatoslav Knushevitsky (cello). The ensemble of Moscow Conservatory professors had been performing until Knushevitsky passed away in 1963. Some critics cited the group as one of the greatest piano trios in the history and compared them with a legendary Alfred Cortot - Jacques Thibaud - Pablo Casals 1920-30s ensemble. The group recorded numerous Trios and Triple Concertos by Beethoven, Brahms, Rachmaninoff, Schubert, and Shostakovich for Columbia, Melodiya, Angel Records, Preiser Records and other labels. David Oistrakh Trio also collaborated with Philharmonia Orchestra conducted by Sir Malcolm Sargent. On this , Urania Records presents recordings of Russian chamber masterpieces, made between the years 1950 and 1958.

After the great success that Il Trovatore received in Paris, Verdi was proposed to compose a French version of the opera to suit the tastes of the local public. The original work, based on the Spanish play El trovador by Antonio García Gutiérrez, had a libretto by Cammarano, which was translated into French by Émilien Pacini. Le Trouvère was first staged in Brussels in 1856 and premiered at the Paris Opera in 1857. In this new version the composer added some music in act 3 for the gypsie ballet scene, extended the finale of act 4 and made several other revisions. The plot is highly dramatic and captivating Verdi portrays strong characters who deal with war, obsession and revenge. To use director Robert Wilson's words Inchthis is a family tragedy, and in many ways, it is a very contemporary story.Inch Wilson's approach to the opera aims at preserving it's emotional strength by using a very essential décor, whose main element is light InchAs a director, when I design the stage and lighting, I think about if what I see can help me hear better. Le Trouvère requires a tremendous amount of concentration, so the set I designed is abstract in order to create a space for the music in the Farnese. I have designed an environment in concrete, creating a juxtaposition to the theatre's ornate interior. [...] Light in my work functions as part of the architectural whole. It is an element which helps us hear and see. Without light there is no space. To light a world that Verdi has described as so dark, one needs light to make the space darker.Inch In the set's background the director also uses some photos by American photographer Robert Rosenkranz. This production was staged in the splendid Teatro Farnese of Parma, which was built in 1628 and belongs to the Complesso Monumentale della Pilotta, one of the oldest museums in Italy. Extra content Interview with the curator of the Muse