Veronique Gens - La Voix Humaine - COMPACT DISCS [CD]

G. Gershwin - Porgy & Bess-Hlts [COMPACT DISCS] date 11/19/1996

The word 'brat' has followed Nathan Williams around for almost a decade, but at the age of 30, with a fully-fledged business to his name, as well as the ongoing success of band Wavves, his rebellious streak has proven not just purposeful but pretty damn inspiring. You're Welcome is the soundtrack to this new lease of freedom. It's Williams' tongue-in-cheek rebirth as a self-released, self-actualized, self-promoting punk kingpin, and despite putting his money where his uncensored mouth is, he's emerged not just unscathed but with the upper hand. Williams took himself into producer Dennis Herring's (King Of The Beach) studio in Downtown LA, and for the first time since the early records worked regular office hours and almost entirely alone. You're Welcome is mostly comprised of Williams' oddball, sample-led brainstorms. He came up with 40 tracks, now whittled down to twelve, fat-free punk zingers. A sample nerd, Williams delved into his obsession with 1950s doo-wop and - surprisingly - international folk, including Cambodian pop and '70's psychedelia from South America. The results make for one of the most diverse and intricate Wavves records yet. InchCome To The ValleyInch contains a Phil Spector meets Beach Boys '60s high school dance vibe, whereas title track InchYou're WelcomeInch riffs on sound effects that could almost originate from Bizarro World, never mind Cambodia. Nathan Williams never went away, but now he's made sure he's here to stay for longer. And for that, You're Welcome.

After Passion (ALPHA747), Veronique Gens reunites with Louis-Noel Bestion de Camboulas' ensemble Les Surprises to celebrate a type of role intrinsically linked to 17th- and 18th-century French baroque opera queens! InchOperatic queens are powerful women, often torn between duty and passion, with a fundamentally complex psychology. They display a range of emotions to match the theatre's dramatic and scenic effects; they also demand above all music that is by turns intense and sophisticated.Inch writes Benoît Dratwicki of the Centre de musique baroque de Versailles, a partner in this project. With Veronique Gens, one could not dream of a better embodiment of these women's destinies set to music by the most famous composers of the time (Rameau, Rebel, Dauvergne, Royer, Desmarest, Salomon, Stuck, Destouches, Francoeur...), many of whom have been unjustly forgotten.