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Vincent Dumestre - Mon Amant de Saint-Jean - COMPACT DISCS [CD]

SKU: 10705081

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?Fascinated by the interplay of echoes from one past to another, Vincent Dumestre and Stéphanie d'Oustrac found an affinity in the project Mon Amant de Saint-Jean, their very first collaboration, and aimed to make it a unique musical adventure a recital in which the atmosphere of the chansons of the Années Folles infuses early music with it's sweet madness. In 1904, the great cabaret singer Yvette Guilbert was invited to the home of the Casadesus family, the founders of the Société des Instruments Anciens (Early instrument society) the Baroque fraternised with the café-concert. Around the same time, in the revue Paris qui chante, an aria by Scarlatti rubbed shoulders with the coarse language of Aristide Bruant and Paulin, while Gaston Dumestre, a singer at the cabaret Le Chat Noir (and one of Vincent's ancestors!), sang chansons réalistes while accompanying himself on the theorbo presented to him by Oscar II of Sweden 'It is in language that we must seek the common driving force. These cabaret singers relished a very special flavour, a vigour, a raciness in the words of the Baroque era', concludes Vincent Dumestre.

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  • Genre
    Classical
    Description
    ?Fascinated by the interplay of echoes from one past to another, Vincent Dumestre and Stéphanie d'Oustrac found an affinity in the project Mon Amant de Saint-Jean, their very first collaboration, and aimed to make it a unique musical adventure a recital in which the atmosphere of the chansons of the Années Folles infuses early music with it's sweet madness. In 1904, the great cabaret singer Yvette Guilbert was invited to the home of the Casadesus family, the founders of the Société des Instruments Anciens (Early instrument society) the Baroque fraternised with the café-concert. Around the same time, in the revue Paris qui chante, an aria by Scarlatti rubbed shoulders with the coarse language of Aristide Bruant and Paulin, while Gaston Dumestre, a singer at the cabaret Le Chat Noir (and one of Vincent's ancestors!), sang chansons réalistes while accompanying himself on the theorbo presented to him by Oscar II of Sweden 'It is in language that we must seek the common driving force. These cabaret singers relished a very special flavour, a vigour, a raciness in the words of the Baroque era', concludes Vincent Dumestre.
    Artist
    Vincent Dumestre
    Title
    Mon Amant de Saint-Jean
    Format
    CD
    Label
    Alpha
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Vincent Dumestre - Mon Amant de Saint-Jean   - COMPACT DISCS [CD]
Vincent Dumestre - Mon Amant de Saint-Jean - COMPACT DISCS [CD]

?Fascinated by the interplay of echoes from one past to another, Vincent Dumestre and Stéphanie d'Oustrac found an affinity in the project Mon Amant de Saint-Jean, their very first collaboration, and aimed to make it a unique musical adventure a recital in which the atmosphere of the chansons of the Années Folles infuses early music with it's sweet madness. In 1904, the great cabaret singer Yvette Guilbert was invited to the home of the Casadesus family, the founders of the Société des Instruments Anciens (Early instrument society) the Baroque fraternised with the café-concert. Around the same time, in the revue Paris qui chante, an aria by Scarlatti rubbed shoulders with the coarse language of Aristide Bruant and Paulin, while Gaston Dumestre, a singer at the cabaret Le Chat Noir (and one of Vincent's ancestors!), sang chansons réalistes while accompanying himself on the theorbo presented to him by Oscar II of Sweden 'It is in language that we must seek the common driving force. These cabaret singers relished a very special flavour, a vigour, a raciness in the words of the Baroque era', concludes Vincent Dumestre.

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In 1670, Molière and Lully presented to the King Le Bourgeois Gentilhomme, a sumptuous Comédie-Ballet performed by Molière's Troupe, with musicians conducted by Lully, ballets by Pierre Beauchamp, scenery by Carlo Vigarani and Turkish costumes by the Chevalier d'Arvieux. The work was inspired by the ambassador Soliman Musta Aga-Feraga, whom Louis XIV had just kept waiting for long weeks before receiving him, provoking his exasperation which amused the King and the courtiers' sneer, the whole of Paris mocking the outlandish mores of the envoys of the Great Turk. The idea came to Molière of a plot based on fake Turks, ridiculing a Bourgeois aspiring to nobility thus, a masterpiece was born, with the dazzling Cérémonie Turque, and at the end a sumptuous Ballet des Nations. The magnificent music of this pillar of French theatre is recorded here in it's entirety for the first time by Vincent Dumestre Glory be to Lully and to Molière!

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