Volcano Choir - Unmap - VINYL LP
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Following the breakthrough success of 2008's 'For Emma, Forever Ago', Justin Vernon (better known to the world as Mr Bon Iver) is back as part of VOLCANO CHOIR. a collaboration between Vernon and fellow Wisconsin rockers, Collections of Colonies of Bees, Volcano Choir present their imaginative and ethereal debut album 'Unmap'. 'Unmap' ultimately came together over a weekend in November 2008 in Fall Creek, Wisconsin, at Justin and Nate Vernon's recording studio. And while it is at it's heart a record about the allure of being with people you need and making something with them, and a document created by musicians with rare gifts getting together to exorcise. With influences ranging from David Sylvian and Steve Reich to Mahalia Jackson and Tom Waits, it might be more accurate to say the group's influence is music itself. You can hear it in the care and real love generously applied to each moment of 'Unmap'. with the vibe of some intimate backwoods gospel, plus a spirit of patience and thoughtful repetition, the music of Volcano Choir is as dynamic as it is lovely. Luscious, experimentative, and playful, Volcano Choir's 'Unmap' is some of Vernon's most compelling work to date. Far from a sequel to Bon Iver's reclusive heartache, it stands tall as a glorious and otherworldly counterpoint.
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VINYLSpecifications
- GenrePopDescriptionFollowing the breakthrough success of 2008's 'For Emma, Forever Ago', Justin Vernon (better known to the world as Mr Bon Iver) is back as part of VOLCANO CHOIR. a collaboration between Vernon and fellow Wisconsin rockers, Collections of Colonies of Bees, Volcano Choir present their imaginative and ethereal debut album 'Unmap'. 'Unmap' ultimately came together over a weekend in November 2008 in Fall Creek, Wisconsin, at Justin and Nate Vernon's recording studio. And while it is at it's heart a record about the allure of being with people you need and making something with them, and a document created by musicians with rare gifts getting together to exorcise. With influences ranging from David Sylvian and Steve Reich to Mahalia Jackson and Tom Waits, it might be more accurate to say the group's influence is music itself. You can hear it in the care and real love generously applied to each moment of 'Unmap'. with the vibe of some intimate backwoods gospel, plus a spirit of patience and thoughtful repetition, the music of Volcano Choir is as dynamic as it is lovely. Luscious, experimentative, and playful, Volcano Choir's 'Unmap' is some of Vernon's most compelling work to date. Far from a sequel to Bon Iver's reclusive heartache, it stands tall as a glorious and otherworldly counterpoint.ArtistVolcano ChoirTitleUnmapFormatVINYLLabelJagjaguwar
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Following the breakthrough success of 2008's 'For Emma, Forever Ago', Justin Vernon (better known to the world as Mr Bon Iver) is back as part of VOLCANO CHOIR. a collaboration between Vernon and fellow Wisconsin rockers, Collections of Colonies of Bees, Volcano Choir present their imaginative and ethereal debut album 'Unmap'. 'Unmap' ultimately came together over a weekend in November 2008 in Fall Creek, Wisconsin, at Justin and Nate Vernon's recording studio. And while it is at it's heart a record about the allure of being with people you need and making something with them, and a document created by musicians with rare gifts getting together to exorcise. With influences ranging from David Sylvian and Steve Reich to Mahalia Jackson and Tom Waits, it might be more accurate to say the group's influence is music itself. You can hear it in the care and real love generously applied to each moment of 'Unmap'. with the vibe of some intimate backwoods gospel, plus a spirit of patience and thoughtful repetition, the music of Volcano Choir is as dynamic as it is lovely. Luscious, experimentative, and playful, Volcano Choir's 'Unmap' is some of Vernon's most compelling work to date. Far from a sequel to Bon Iver's reclusive heartache, it stands tall as a glorious and otherworldly counterpoint.

The world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.Ziúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. InchI roll the shittiest cigarette,Inch she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah

Vinyl LP pressing. Repave comes four years after the first Volcano Choir album, Unmap, provided a glimpse into the collaborative mindset between a singer and a band that inspired him. Ideas were minted, written at a distance and realized in the studio; edges sanded back and flaps tucked in, the craftsmanship of the endeavor bearing evidence of the craft itself, and the technology used to assemble it.
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