The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Adjustable synth parameters deliver fat, sweet tones from another world. Its voice mix section lets you bring in 4 different voices: Sub Octave, Guitar, Octave, and Square Wave. The Square Wave gives the Bass Micro Synthesizer its signature, fuzzy growl that calls back to the cosmic '70s. An Attack Delay control creates bowed effects or ominous volume swells while the Filter Sweep section sweeps through the full frequency spectrum for sound from quick high to low chops and slow low to high blooms. Features: · All analog design · Optimized for bass guitar · 3-pole analog resonant filter · 4 Voice mixer section mixes: sub octave, original, octave up and square wave · Square wave voice can be used as a distortion tone · Start, stop filter frequency sliders with adjustable rate for full control over the filter's sweep direction and speed · Adjustable filter resonance control · Adjustable attack time control for fading-in notes · True bypass · Tough and compact die-cast chassis · Power adapter included

The Warm Audio Warm Bender is a masterful tribute to two of the most revered fuzz circuits in history — the legendary British “Tone Bender” designs that defined the sound of the 1960s and 70s. Combining NOS 75 and NOS 76 germanium circuits with a bonus modern silicon mode, this pedal gives you three unique flavors of fuzz ranging from vintage warmth to aggressive distortion. Musicians can effortlessly recreate the signature tones of iconic artists like Jimmy Page, Pete Townshend, and Mick Ronson, with smooth sustain, responsive attack, and that unmistakable midrange growl that cuts through any mix. The SAG control adds even greater tonal flexibility, allowing you to starve the circuit for a dying battery effect, unlocking compressed, touch-sensitive, and dynamically rich sounds. Hand-built using premium through-hole components and NOS germanium transistors, the Warm Bender delivers the authentic analog warmth and responsiveness that guitarists crave. Whether you’re crafting biting punk rhythms, soaring leads, or classic rock textures, the Warm Bender brings vintage tone and modern reliability together in one fuzz-filled powerhouse.

The Context is a reverb pedal inspired by 1980's rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode. The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980's and early 90's reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate. Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb. The spring reverb was designed using the techniques and algorithms that were used in 1980's reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed. Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds. When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain. One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets. Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).