Water Machine - God Park - VINYL LP

Silver Vinyl. In 2003, MF DOOM introduced us to one of his most intriguing alter egos, Viktor Vaughn. As the story goes, Viktor Vaughn was an interdimensional time-traveling MC from another realm where Hip-Hop was banned. He'd been exploring time and space looking for new dimensions to sharpen his MC skills, which eventually led him to 90s era NYC, where he found himself stranded from a mechanical mishap with his time machine. He began hitting open mics and small venues, battling other MCs and picking up side-hustles in order to raise the funds to repair his time machine.Vaudeville Villain is a concept album like no other, where MF DOOM re-envisions himself as a younger, hungrier, more brazen persona in order to explore a different point of view. Of course, developing a second self from a more technologically advanced universe, he took a new approach to the production too. Viktor Vaughn fittingly raps over next-school beats that move freely in spaces between Electronica and Hip Hop, courtesy of Sound-Ink producers King Honey, Heat Sensor and Max Bill, along with one track from RJD2. Vaudeville Villain is one of the more uniquely creative entries in the MF DOOM universe.

Remastered edition. Scenes from the Second Storey is the debut album by American rock band the God Machine, released in 1993 by Fiction Records and Polydor. It peaked at number 55 on the UK Albums chart.

Deluxe edition includes bonus tracks. 2017 album from the contemporary Christian singer/songwriter. After working with and being associated to such Artists as NSYNC, Chaka Khan, Justin Timberlake and even Stevie Wonder, Bryan Popin has seen both the heights of fame and prosperity, yet has also experienced the lows and heartache of financial hardship, much rejection, insecurity issues and personal drought. Through each of these seasons, Bryan has learned to trust and rely on his faith and spiritual upbringing. Born and raised in Middletown, New Jersey, Popin was first introduced to his signature instrument, the piano, at the age of five. He would spend hours every day practicing in his family's apartment under the guidance of his mother who was a pianist, choir director and the source of his family's love of music. Early on, Popin gravitated towards church songs and spiritual hymns - he didn't have an ear for music but became quite adept at sight-reading.