Wednesday Knudsen - Atrium - VINYL LP
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After two decades in the experimental music scenes of New York and Western Massachusetts, Wednesday Knudsen might be known equally as a sought-after improv collaborator and the vocalist and guitarist for the beloved long-running psych band Pigeons or, more recently, as a member of the New England psych-folk ensemble Stella Kola. Though her forthcoming , Atrium, is Knudsen's fifth solo album, it is both her first solo work to appear on vinyl and a double LP, marking her rich recording history with a stunning masterwork. Channeling the Inchatmosphere of presenceInch alongside the legions of Éliane Radigue, Hiroshi Yoshimura, and Joanna Brouk, on Atrium, Knudsen plays it all-alto saxophone, flute, guitar, synth, piano, autoharp, bass guitar, and vocals. The collected compositions are studies in the tones, timbres, and pacing particular to the woodland environment of the Taconic Mountains where she lives. Atrium's tracks are sculptural rather than ambient, with a into the gorgeous hold of gravity that insists we don't escape or drift away. This is music for remembering time. This is music that reinforces the power of art as resistance. The songs on Atrium distill our attention in a language that Knudsen calls Inchthe opening of the heart,Inch reminding us that subsistence and community results from our own actions and engagement with our exterior. Atrium is a refuge, vital in our current moment and imbued with resonant power for our future.
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- GenreDance and electronicDescriptionAfter two decades in the experimental music scenes of New York and Western Massachusetts, Wednesday Knudsen might be known equally as a sought-after improv collaborator and the vocalist and guitarist for the beloved long-running psych band Pigeons or, more recently, as a member of the New England psych-folk ensemble Stella Kola. Though her forthcoming , Atrium, is Knudsen's fifth solo album, it is both her first solo work to appear on vinyl and a double LP, marking her rich recording history with a stunning masterwork. Channeling the Inchatmosphere of presenceInch alongside the legions of Éliane Radigue, Hiroshi Yoshimura, and Joanna Brouk, on Atrium, Knudsen plays it all-alto saxophone, flute, guitar, synth, piano, autoharp, bass guitar, and vocals. The collected compositions are studies in the tones, timbres, and pacing particular to the woodland environment of the Taconic Mountains where she lives. Atrium's tracks are sculptural rather than ambient, with a into the gorgeous hold of gravity that insists we don't escape or drift away. This is music for remembering time. This is music that reinforces the power of art as resistance. The songs on Atrium distill our attention in a language that Knudsen calls Inchthe opening of the heart,Inch reminding us that subsistence and community results from our own actions and engagement with our exterior. Atrium is a refuge, vital in our current moment and imbued with resonant power for our future.ArtistWednesday KnudsenTitleAtriumFormatVINYLLabelSpinster Records
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After two decades in the experimental music scenes of New York and Western Massachusetts, Wednesday Knudsen might be known equally as a sought-after improv collaborator and the vocalist and guitarist for the beloved long-running psych band Pigeons or, more recently, as a member of the New England psych-folk ensemble Stella Kola. Though her forthcoming , Atrium, is Knudsen's fifth solo album, it is both her first solo work to appear on vinyl and a double LP, marking her rich recording history with a stunning masterwork. Channeling the Inchatmosphere of presenceInch alongside the legions of Éliane Radigue, Hiroshi Yoshimura, and Joanna Brouk, on Atrium, Knudsen plays it all-alto saxophone, flute, guitar, synth, piano, autoharp, bass guitar, and vocals. The collected compositions are studies in the tones, timbres, and pacing particular to the woodland environment of the Taconic Mountains where she lives. Atrium's tracks are sculptural rather than ambient, with a into the gorgeous hold of gravity that insists we don't escape or drift away. This is music for remembering time. This is music that reinforces the power of art as resistance. The songs on Atrium distill our attention in a language that Knudsen calls Inchthe opening of the heart,Inch reminding us that subsistence and community results from our own actions and engagement with our exterior. Atrium is a refuge, vital in our current moment and imbued with resonant power for our future.
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