White Hills - The Revenge Of Heads On Fire - VINYL LP

Limited pink colored vinyl LP pressing. The true test of originality for any musician comes when you hear an instrument being played and you instantly know who's playing it. For electric guitarists, certainly Hendrix qualifies; Page and Clapton, too. Maybe Eddie Van Halen before the legion of imitators. You probably have your own list, but to us, standing toe-to-toe (or pick-to-pick) with those legends is Television guitarist and solo artist Tom Verlaine. His self-taught, jazz-influenced style, largely devoid of effects, and vibrato tone (oh, that tone!) makes any Verlaine solo unmistakably a Verlaine solo. That he was quite an accomplished, idiosyncratic songwriter is just a bonus. Real Gone Music is very, very proud to announce that we have arranged with the Verlaine estate to Tom's last three solo albums on LP, starting with his 1992 instrumental masterpiece Warm and Cool, which has never been released on vinyl in the U.S. Swirling within this album's 14 compositions are hints of rock, jazz, country, surf, and even a little bit of the guitar noir found on Angelo Badalamenti's soundtracks for David Lynch, all given brilliant new life in a fresh mastering for vinyl by long-time Verlaine collaborator Patrick Derivaz, who also played bass on the album. Simultaneously avant-garde and familiar-sounding, Warm and Cool is as contemporary and forward-thinking as any music coming out today, but-as the new liner notes by Verlaine's life partner Jutta Koether point out-the album fits into a larger modern art and philosophical context. Indeed, reading Koether's poetic love letter to her dear departed and listening to this gorgeous, daring music makes for a profound experience we are eager to share. Pink vinyl pressing to go with the artful choice of type hue on the front cover!

Vinyl LP pressing includes . The dismal realities, political or otherwise, that are part of our modern world naturally influence our creative voices. It is in this context that White Hills re-evaluated their approach to creating a new album. Having continually refined their sound, pushing the boundaries of psychedelic music, White Hills flipped the script on Stop Mute Defeat. Dave W. and Ego Sensation have brazenly produced an industrially-charged record that pulsates unlike anything they've released before. Hard-line, gritty, and intellectually engaged, Stop Mute Defeat is a New York record through and through. With this in mind, White Hills drafted Martin Bisi (Sonic Youth, Brian Eno, Afrika Bambaataa) to mix. White Hills recorded with Bisi on two of their previous releases, Frying On This Rock in 2012 and it's follow-up So You Are... So You'll Be, however Stop Mute Defeat is the first time they worked with Martin InchThe BeastInch Bisi in control of the mixing board. A native New Yorker who made his name in the city's early hip-hop and no-wave scenes, Bisi was attracted to White Hills' new material for it's distinct early-80s Mudd Club feel. A dance hall, drug den, and bar, the Mudd Club was one of New York's legendary haunts in the late 1970's. As a center of a distinct art scene the club served as a major influence for White Hills and Stop Mute Defeat's sound.

White Hills - Glitter Glamour Atrocity [VINYL LP] date 08/26/2014