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Vinyl LP pressing. La Gran Fuga is an album of Willie Colón & Héctor Lavoe issued in 1971 by Fania Records. It was the second of Colón and Lavoe's records to go gold, after Cosa Nuestra and before El Juicio.

Limited 150 gram vinyl LP pressing. Formed by four members from rival high school bands in Toronto, Sum 41 developed their fun and funky sound while touring with bands like The Mighty Mighty Bosstones, Offspring and Blink 182. Their second album, All Killer No Filler, features punk mixed with metal, hip-hop and rock, and includes the single 'Fat Lip'. 'Fat Lip' achieved significant chart and commercial success; it topped the U.S. Billboard Modern Rock Tracks chart as well as many other charts around the world. The song remains the band's most successful song to date. After InchFat LipInch, two more singles, entitled InchIn Too DeepInch and InchMotivationInch, were released from the album. InchIn Too DeepInch peaked at #10 on the Modern Rock Tracks chart, while InchMotivationInch peaked at #24 on the same chart. Album Tracks 1. Introduction to Destruction 2. Nothing on My Back 3. Never Wake Up 4. Fat Lip 5. Rhythms 6. Motivation 7. In Too Deep 8. Summer 9. Handle This 10. Crazy Amanda Bunkface 11. All She's Got 12. Heart Attack 13. Pain for Pleasure

Khruangbin's fourth studio album, A La Sala (InchTo the RoomInch in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald InchDJInch Johnson, Jr. And guitarist Mark InchMarkoInch Speer approach music. If 2020's Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band's musical reputation far and wide, then A La Sala is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. It's a window onto the bounties powering Khruangbin's vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.The trio's collective musical DNA, the years spent constructing it in Houston's local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko's reverb-heavy electric, dancing gently around Laura Lee's minimalist almost-dub bass triangles, while DJ's drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there's a freshness to A La Sala's instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world's external wonders. Where prior albums strived towards music's polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin's sonic touch-points - whether spaghetti-western film scores (on InchFifteen Fifty-ThreeInch), West African discos (on InchPon PónInch), G-funk fantasias (InchTodavía VivaInch), living room dancing moments (the first single, InchA Love InternationalInch), or even

TWENTY ONE PILOTS / BREACH (VINYL LP) hello Clancy. Hello Blurryface. Meet Breach. Following the epic cliffhanger from the band's last record Clancy, new album BREACH brings the highly anticipated finale to the 10-year-long saga the band has crafted since 2015's Blurryface. Twenty One Pilots, one of the most influential modern acts in rock, with the #1 Rock album of the 2010s, is back with their genre-bending sound and masterful storytelling. Through themes of rebellion, freedom and healing, we meet Clancy where they are, and notice there has been a breach in the system... let's finish this. Red color vinyl Album Tracks 1. City Walls 2. Rawfear 3. Drum Show 4. Garbage 5. The Contract 6. Downstairs 7. Robot Voices 8. Center Mass 9. Cottonwood 10. One Way 11. Days Lie Dormant 12. Tally 13. Intentions