Winterpills - Central Chambers - COMPACT DISCS [CD]
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Critically praised as a mirror of sorrows and a beacon of hope, the music of Winterpills - true to it's name - is medicine for weary hearts. At the core of Central Chambers, their newest album and third overall, the Northampton, Mass. Quintet maintains it's signature chamber-indie ambience while exploring new grounds sonically and lyrically. In it, you'll hear production running the gamut from boombox lo-fi to crisp studio sonorousness; dense rockers balanced by quiet hymns; and an overall diversity in instruments and textures. All of this backs the wandering words of songwriter Philip Price, and here we can see him condensing his meditative lyrical approach into mantras contemplating the frailty of humanity. A performer with a background in 90's powerpop (The Maggies) as well as solo-acoustic songwriting, Price sought something of a middle ground. Woodshedding sessions in the winter of 2004 led him and friends Flora Reed (piano, vocals), Dennis Crommett (guitar) and Dave Hower (drums) to become Winterpills, crafting a neat balance of heartrending lyrics, rich pop and dreamy guy-girl harmonies. Their self-titled debut, released in November of 2005, drew numerous comparisons to Elliott Smith, Ida and 60s torchbearers like Simon and Garfunkel and Neil Young. It was hailed as Incha disc of faultless, sparkling indie popInch by NPR's David Dye, while No Depression called it Inchalternately sad, cynical and deeply moving.Inch Soon the band recruited bassist Brian Akey and returned to writing and recording. Their stunning follow-up, The Light Divides, was released in February of 2007 to much acclaim, described by The Boston Globe as Inchdusky, quietly ripping folk-pop that sounded at once intimate and universal.Inch It was dubbed Inchpainfully prettyInch and InchsublimeInch by the Philadelphia Daily News, and The Washington Post said InchPrice's lyrics are densely packed bu
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- GenrePopDescriptionCritically praised as a mirror of sorrows and a beacon of hope, the music of Winterpills - true to it's name - is medicine for weary hearts. At the core of Central Chambers, their newest album and third overall, the Northampton, Mass. Quintet maintains it's signature chamber-indie ambience while exploring new grounds sonically and lyrically. In it, you'll hear production running the gamut from boombox lo-fi to crisp studio sonorousness; dense rockers balanced by quiet hymns; and an overall diversity in instruments and textures. All of this backs the wandering words of songwriter Philip Price, and here we can see him condensing his meditative lyrical approach into mantras contemplating the frailty of humanity. A performer with a background in 90's powerpop (The Maggies) as well as solo-acoustic songwriting, Price sought something of a middle ground. Woodshedding sessions in the winter of 2004 led him and friends Flora Reed (piano, vocals), Dennis Crommett (guitar) and Dave Hower (drums) to become Winterpills, crafting a neat balance of heartrending lyrics, rich pop and dreamy guy-girl harmonies. Their self-titled debut, released in November of 2005, drew numerous comparisons to Elliott Smith, Ida and 60s torchbearers like Simon and Garfunkel and Neil Young. It was hailed as Incha disc of faultless, sparkling indie popInch by NPR's David Dye, while No Depression called it Inchalternately sad, cynical and deeply moving.Inch Soon the band recruited bassist Brian Akey and returned to writing and recording. Their stunning follow-up, The Light Divides, was released in February of 2007 to much acclaim, described by The Boston Globe as Inchdusky, quietly ripping folk-pop that sounded at once intimate and universal.Inch It was dubbed Inchpainfully prettyInch and InchsublimeInch by the Philadelphia Daily News, and The Washington Post said InchPrice's lyrics are densely packed buArtistWinterpillsTitleCentral ChambersFormatCDLabelSignature Sounds
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Critically praised as a mirror of sorrows and a beacon of hope, the music of Winterpills - true to it's name - is medicine for weary hearts. At the core of Central Chambers, their newest album and third overall, the Northampton, Mass. Quintet maintains it's signature chamber-indie ambience while exploring new grounds sonically and lyrically. In it, you'll hear production running the gamut from boombox lo-fi to crisp studio sonorousness; dense rockers balanced by quiet hymns; and an overall diversity in instruments and textures. All of this backs the wandering words of songwriter Philip Price, and here we can see him condensing his meditative lyrical approach into mantras contemplating the frailty of humanity. A performer with a background in 90's powerpop (The Maggies) as well as solo-acoustic songwriting, Price sought something of a middle ground. Woodshedding sessions in the winter of 2004 led him and friends Flora Reed (piano, vocals), Dennis Crommett (guitar) and Dave Hower (drums) to become Winterpills, crafting a neat balance of heartrending lyrics, rich pop and dreamy guy-girl harmonies. Their self-titled debut, released in November of 2005, drew numerous comparisons to Elliott Smith, Ida and 60s torchbearers like Simon and Garfunkel and Neil Young. It was hailed as Incha disc of faultless, sparkling indie popInch by NPR's David Dye, while No Depression called it Inchalternately sad, cynical and deeply moving.Inch Soon the band recruited bassist Brian Akey and returned to writing and recording. Their stunning follow-up, The Light Divides, was released in February of 2007 to much acclaim, described by The Boston Globe as Inchdusky, quietly ripping folk-pop that sounded at once intimate and universal.Inch It was dubbed Inchpainfully prettyInch and InchsublimeInch by the Philadelphia Daily News, and The Washington Post said InchPrice's lyrics are densely packed bu
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Winterpills first unknowingly convened in a room with no furniture, on a shiny, bare wood floor, in front of a large bay window, during a harsh recent winter, in a small New England town. The good cheap magnums of wine were in season, as were guitars, and friends in need, some typically dire. Out the bay window, the snow flurried past the yellow streetlights on a treeless street called Orchard. Philip lay on the floor, looked up and saw his friend Flora, and later, to her left, his friend Dennis. It was time to play anything they wanted, and play they did, often not stopping until the sun came up. The catalogs of the Beatles, Throwing Muses, Neil Young, Stephen Merritt, the Carter Family, Elliott Smith, and others were all explored with no other thoughts than the friends, the wine, and the snow, eyes closed. Stealthily and casually, a sleeping body of Philip's songs began creeping into the mix. Very late one night, Dave Hower appeared at the door and joined the others, completing a sound the four knew and understood. They touched the songs very lightly, as if pushing them too hard might cause them to disappear. Dennis' guitar echoed the notes beneath each passage. Philip and Flora's voices together made a third, new, unheard voice. Dave's subtle and swirling beats pulled the shapes of the songs like taffy into sweeter, brighter forms that stayed light and yet lived well in the dark and the cold. Much like the improbable bumblebee, a beautiful new band formed and chose to fly. With their debut, Winterpills deliver an album that marks the arrival of a quietly stunning new band. Philip's transcendent melodies have never sounded more compelling or been performed with such reverence. Showcasing intimate male female vocals, haunting electric guitar, and bold inventive drumming, the album captures the sound of a band that has discovered a rare alignment of musicianship. From
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When Winterpills released their debut album in the fall of 2005, fans and critics alike scrambled to define what made it one of most significant musical discoveries of the year. Critics met the album with descriptions like, InchHeavy with moments of sheer beauty,Inch Inchexquisite vocals,Inch Inchdeeply moving & heartrending,Inch and Inchas textured as the best indie rock around.Inch Now, the Light Divides ups the ante on the Winterpills' shimmering, resonant, heartbroken pop glory. These songs, as musically sophisticated and delicate as any of songwriter Philip Price's career, and given otherwordly treatment by band members Flora Reed, Dave Hower, and Dennis Crommett, nevertheless feel essential, even familiar, like old friends. The hooks and harmonies have been burnished so that they glow from within - it's as if Winterpills has brought to light the songs you were already humming to yourself, but didn't know it.

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