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Wolf-Ferrari / Belli - Idillio Concertino / Serenata - COMPACT DISCS [CD]

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Given it's color by a pastorally evocative scoring of oboe and small orchestra, the Idillio Concertino lives up to it's name with calm and gentle cantabile writing throughout in Wolf-Ferrari's most neoclassical vein. The composer's declared idol was Mozart, and all three of these works seek to recover something of a timeless beauty which many locate in Viennese Classicism. InchWhen a piece of music touches our heart,Inch said Wolf-Ferrari, Inchwe do not need to understand why it does so indeed it is something that should not be understood, even were it possible to do so. We do not need to be botanists to perceive the beauty of a forest! In art, it is sentiment, not reason, which determines our reaction. Art does not desire an audience of initiates, a congregation of the faithful, but a pure and open heart.Inch This newly recorded album is for every listener who feels likewise. The solo instrument for the Suite-Concertino is the bassoon, but the dreamy mood prevails in the long-breathed opening Nocturne, which is followed by a quick, strumming scherzo, a lovely heartfelt Canzone and a gentle concluding Andante. This pair of concertos from 1933 is complemented by one of Wolf-Ferrari's best-known instrumental works, the four-movement Serenade for Strings which dates from a full 40 years earlier, before the composer embarked on an operatic career. In this precociously mature work- written at the age of 17- Mozart is even more clearly a guiding light, as indeed he was for the composer's contemporary Busoni, who lends his name to this chamber orchestra based in the northeast of Italy.
  • Details
    • Genre: Classical
    • Description: Given it's color by a pastorally evocative scoring of oboe and small orchestra, the Idillio Concertino lives up to it's name with calm and gentle cantabile writing throughout in Wolf-Ferrari's most neoclassical vein. The composer's declared idol was Mozart, and all three of these works seek to recover something of a timeless beauty which many locate in Viennese Classicism. InchWhen a piece of music touches our heart,Inch said Wolf-Ferrari, Inchwe do not need to understand why it does so indeed it is something that should not be understood, even were it possible to do so. We do not need to be botanists to perceive the beauty of a forest! In art, it is sentiment, not reason, which determines our reaction. Art does not desire an audience of initiates, a congregation of the faithful, but a pure and open heart.Inch This newly recorded album is for every listener who feels likewise. The solo instrument for the Suite-Concertino is the bassoon, but the dreamy mood prevails in the long-breathed opening Nocturne, which is followed by a quick, strumming scherzo, a lovely heartfelt Canzone and a gentle concluding Andante. This pair of concertos from 1933 is complemented by one of Wolf-Ferrari's best-known instrumental works, the four-movement Serenade for Strings which dates from a full 40 years earlier, before the composer embarked on an operatic career. In this precociously mature work- written at the age of 17- Mozart is even more clearly a guiding light, as indeed he was for the composer's contemporary Busoni, who lends his name to this chamber orchestra based in the northeast of Italy.
    • Artist: WOLF-FERRARI / BELLI
    • Title: Idillio Concertino / Serenata
    • Format: CD
    • Label: Brilliant Classics
    • Release Date: 07/12/2019
    • Genre: Classical
  • Other
    • Product Name: Wolf-Ferrari / Belli - Idillio Concertino / Serenata - COMPACT DISCS
    • UPC: 5028421958750

Given it's color by a pastorally evocative scoring of oboe and small orchestra, the Idillio Concertino lives up to it's name with calm and gentle cantabile writing throughout in Wolf-Ferrari's most neoclassical vein. The composer's declared idol was Mozart, and all three of these works seek to recover something of a timeless beauty which many locate in Viennese Classicism. InchWhen a piece of music touches our heart,Inch said Wolf-Ferrari, Inchwe do not need to understand why it does so indeed it is something that should not be understood, even were it possible to do so. We do not need to be botanists to perceive the beauty of a forest! In art, it is sentiment, not reason, which determines our reaction. Art does not desire an audience of initiates, a congregation of the faithful, but a pure and open heart.Inch This newly recorded album is for every listener who feels likewise. The solo instrument for the Suite-Concertino is the bassoon, but the dreamy mood prevails in the long-breathed opening Nocturne, which is followed by a quick, strumming scherzo, a lovely heartfelt Canzone and a gentle concluding Andante. This pair of concertos from 1933 is complemented by one of Wolf-Ferrari's best-known instrumental works, the four-movement Serenade for Strings which dates from a full 40 years earlier, before the composer embarked on an operatic career. In this precociously mature work- written at the age of 17- Mozart is even more clearly a guiding light, as indeed he was for the composer's contemporary Busoni, who lends his name to this chamber orchestra based in the northeast of Italy.

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    Given it's color by a pastorally evocative scoring of oboe and small orchestra, the Idillio Concertino lives up to it's name with calm and gentle cantabile writing throughout in Wolf-Ferrari's most neoclassical vein. The composer's declared idol was Mozart, and all three of these works seek to recover something of a timeless beauty which many locate in Viennese Classicism. InchWhen a piece of music touches our heart,Inch said Wolf-Ferrari, Inchwe do not need to understand why it does so indeed it is something that should not be understood, even were it possible to do so. We do not need to be botanists to perceive the beauty of a forest! In art, it is sentiment, not reason, which determines our reaction. Art does not desire an audience of initiates, a congregation of the faithful, but a pure and open heart.Inch This newly recorded album is for every listener who feels likewise. The solo instrument for the Suite-Concertino is the bassoon, but the dreamy mood prevails in the long-breathed opening Nocturne, which is followed by a quick, strumming scherzo, a lovely heartfelt Canzone and a gentle concluding Andante. This pair of concertos from 1933 is complemented by one of Wolf-Ferrari's best-known instrumental works, the four-movement Serenade for Strings which dates from a full 40 years earlier, before the composer embarked on an operatic career. In this precociously mature work- written at the age of 17- Mozart is even more clearly a guiding light, as indeed he was for the composer's contemporary Busoni, who lends his name to this chamber orchestra based in the northeast of Italy.

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