Wurttembergische Philharmonie Reutlingen - Piano Concerto / Violin Concerto - COMPACT DISCS [CD]

Besides the well-known Left Hand Piano Concertos by Korngold, Prokofiev, Ravel and others, this very first Concert of Josef Labor marks the beginning of this genre in 1915. One-Handed pianist Paul Wittgenstein ordered it already during his captivity in Russia where he lost his right arm but determined to forward his pianistic career. Labor was part of Johannes Brahms's close circle of friends. At the age of three, he lost his sight due to smallpox. For him composition was a luxury, insofar as he had to rely on the help of a scribe who had to commit the work to paper. Labor's music is very skillfully composed, always sensuous, and first and foremost melodious; it does not require a too complete concentration on itself. These World Premiere Recordings marks an highlight of Capriccio's Labor-Edition which focused already since years on this sensitive Music of an mostly forgotten composer.

Reinhold Friedrich - Trumpet Concertos [COMPACT DISCS] date 07/24/2001

It has long been my wish to record both of Johannes Brahms's piano concertos for CD. In doing so, I have been able to build upon many experiences that allow me at this point in time to open mys elf up even more to the essence of these works, which move me to the depths of my being. Both works offer me something incredibly great, something that in my conception of things can hardly be further enlarged. Each of the two concertos fascinates me with it's vast wealth of sound, it's intensity, above all with it's simply infinite emotional range. Highly dramatic developments open out into playful lightness of being. Time and again there are sincerely thoughtful moments, marked by deep serenity. The slow movements of these two concertos particularly fascinate me on account of those passages, which give us a glimpse into what is above and beyond the world we know. The Magyar in me senses many Hungarian influences. My engagement with the two concertos in the course of making the present recordings together with the Württembergische Philharmonie Reutlingen has enabled me to look at the above aspects with new eyes. These are insights that go ever deeper throughout one's whole life. The process is never complete. The cathedral is too big for that. Andrea Kauten.