Yefim Bronfman - Brahms: Piano Concertos Nos. 1 & 2 - COMPACT DISCS [CD]

Increasingly, Shostakovich's music is captivating people all over the world and appealing to their deepest emotions. Almost like no other, it bears witness to a traumatic political epoch while remaining a timeless expression of existential human feeling and experience. For me personally, said conductor Mariss Jansons, who died two years ago, InchShostakovich is one of the most serious and sincere composers of them all.Inch Now BR-KLASSIK is releasing two more outstanding performances by this important Soviet-Russian composer his impressive Concerto for Piano, Trumpet and String Orchestra, and his Ninth Symphony - performed live by the Symphonieorchester des Bayerischen Rundfunks under it's long-time principal conductor Mariss Jansons. Shostakovich's (first) piano concerto features impressive pianistic virtuosity, bold experimentation, satire, and caricatures of different musical styles. The composer wrote it in the summer of 1933, only a few weeks after the completion of his opera InchLady MacBeth of MtsenskInch. This concerto in particular demonstrates the immense versatility and magnificent talent of the still carefree 26-year-old Shostakovich. He blends a wealth of musical thoughts and ideas into a colorful and fascinating kaleidoscope. Despite the wealth of different stimuli, the concerto does not seem chaotic or overloaded the young composer effortlessly maintains the balance. Shostakovich performed a similar balancing act between creative work and conformity to the state in his Ninth Symphony, which premiered on November 3, 1945. Instead of the expected heroic, regime-conformist orchestral thunder along the lines of his Seventh Symphony, the InchLeningradInch, the music heard here was playful, without pathos, somewhat witty, full of allusions - yet something did not seem quite right. This musical conundrum, full of ironic refractions and caricatures of melodr

This 2-CD tells the story of Pollinis triumphant reunion with Staatskapelle Dresden in 2011 and 2013 and includes the acclaimed recordings of Brahmss Piano Concertos with Christian Thielemann. Those who admire the intelligent, direct and stylishly lean virtuosity that Maurizio Pollini has long brought to Brahmss Piano Concertos will want to know how the pianists recent recordings with Christian Thielemann and the Staatskapelle Dresden compare with his two earlier versions, both conducted by the late Claudio Abbado.

I've Empathy is the third Korean-language extended play (EP) and fifth overall by South Korean girl group I've. It contains six tracks, including two singles InchRebel HeartInch and InchAttitudeInch.