You Me at Six - Truth Decay - COMPACT DISCS [CD]

2018 . One of the UK's biggest guitar bands, You Me at Six return with their sixth studio album aptly titled, VI. The band has notched up a list of considerable achievements since forming in 2004 as teenagers in the UK, including four UK Gold Records, four Top 10 albums and #1 album Cavalier Youth, three sold out UK arena tours, multiple sold-out US headline tours and a Top 5 Rock Radio track in North America with 'Room To Breathe'.

Sten Lassmann - Complete Piano Music 3 [COMPACT DISCS] date 04/30/2013

Over the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival-these hopeful heroes are Deerhoof's inspiration. These are the Future Teenage Cave Artists. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days. Take the narrator of InchThe Perfect MeInch from 2007's Friend Opportunity an orphaned but eager soul attempting to entice other wounded wanderers who might lack a home, a clan, a family, a history. But on Future Teenage Cave Artists our protagonist is threatened by terror lurking around every corner. Add to that the fact that our 'cast-off queen,' our 'maniac,' our 'terrible daughter' is watching themselves get orphaned in real time, by an older generation in power that would seemingly rather see life on Earth destroyed than let go of archaic systems of capital. Like a lot of the music they have released over the last quarter-century, the Deerhoof of Future Teenage Cave Artists (Satomi Matsuzaki on bass and vocals, Ed Rodriguez and John Dieterich on guitars, and Greg Saunier on drums, vocals and piano) stitches together fragments of 'r&b' and 'classic rock' and transforms them into a new language of revolution, forgoing verse-chorus structures for dream logic and blind intuition. But what makes this album different is it's intimacy-the blues riffs and slide guitars are joined by rusty pianos and whispered three-part harmonies.In this sense, FTCA inverts the formula of Deerhoof's last album, Mountain Moves, whic