Zofia Neugebauer - Elsner Krogulski Dobrzynski - COMPACT DISCS [CD]

2020 . Diana Ross has scored four consecutive Billboard #1 Dance Club Songs Chart singles over the last two years - InchAin't No Mountain High Enough,Inch InchI'm Coming Out / Upside DownInch, InchThe BossInch and InchLove Hangover 2020.Inch This is a historical run, as each track also hit #1 during it's original . The self-produced album follows these club hits, with classic songs turned inside out. Mixes by Eric Kupper, who has 120 Billboard #1s.

Zofia Neugebauer, born in Poland in 1994, played at the Karajan Academy of the Berlin Philharmonic. She was principal flutist in renowned orchestras such as the Lucerne and Basel Symphony Orchestras and performed with renowned conductors such as Sir Simon Rattle and Zubin Mehta. In 2018, the Mozart Society Dortmund accepted Neugebauer into it's scholarship program, where she discovered her love for Mozart. Together with the Folkwang Chamber Orchestra Essen, directed by Johannes Klumpp, she now presents Mozart's Flute Concertos and two newly written cadenzas on her album Il Vento non Scritto.

?Guilty of allowing the sacred fire to go out while declaring her love to the general Licinius, the Vestal Virgin Julia is sentenced to be buried alive. But her execution is averted by a divine intervention, which rekindles the altar flame and absolves the victim. The simple plot of Gaspare Spontini's La Vestale achieved resounding success in 1807 thanks to the highly skilled treatment of the characters' psychology and the transparency of the political allusions - Licinius is an allegory of Napoleon Bonaparte himself. Yet the work is more than a mere piece of propaganda it represents one of the links between the tragédie lyrique of the Ancien Régime and the future grand opéra à la française, even anticipating Bellinian bel canto. The opera's focal point is the character of Julia, which requires an exceptional soprano to do it justice. After the creator, Caroline Branchu - whom Berlioz described as 'operatic tragedy incarnate' - and Maria Callas at La Scala in 1954, Marina Rebeka takes on in masterly fashion a role that seems tailor-made for her impressive vocal resources, supported by the energy and precision of the period instruments of Les Talens Lyriques under Christophe Rousset. The result is genuinely revelatory.