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Despite (perhaps) being the band's most accessible & melodic work to date, New York quartet Sunwatchers' fourth album arrives in a flurry of notes with the buzzing hum of InchSunwatchers vs. Tooth DecayInch; the title referencing a 1976 album featuring athlete and activist Muhammad Ali. A cheeky nod to be sure, but laced with the utmost reverence. This attitude sums up Sunwatchers' aesthetic in a nutshell; the acknowledgement (typically via the band's irreverent song titles or album art) that the things in life we should take seriously are better faced and understood when disarmed by a wink or nudge. The band may cloak their fiery activism in a jester's outfit, but it does nothing to dull the force of their attack. The one-two punch of InchLove PasteInch & InchBrown IceInch hits next, with the former's tender opening melody punctuated by exuberant InchWOO!Inchs while the latter launches into an urgent, stuttering march that utilizes an effective musical wind-up and , ratcheting up a ferocious intensity across it's near six minute runtime. InchThee Worm StoreInch closes out the first side, beginning with a lumbering synth growl, until it picks up speed and ends as a frantic noisy free-for-all. Side two strides forth with InchThe ConchInch, an obvious 'Lord of The Flies' reference, and a delicious subversion of the idea of a Inchhero's anthemInch weighted down by the trappings of tribalism. The album's showstopper however is InchThe Earthsized ThumbInch, the near twenty-minute closing track. Guitarist Jim McHugh lays down a hypnotic Saharan guitar melody as the rest of the band ushers themselves in one by one over the tune's distinct musical movements, a cosmic InchQuick OneInch for all the heads perhaps? The album's title InchOh Yeah?Inch is at once an homage to Mingus, Thee Oh Sees' album InchHelpInch (whose Brigid Dawson hand-sewed the tapestry adorning the album's

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX
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