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Rob wanted the world of The Northman to feel harsh and uncomfortable, and foreverything to feel like it was caked in mud and dry blood, so it was crucial for thescore to mirror that. Composers Robin Carolan (Tri-Angle Records) and SebastianGainsborough (Vessel) were given a task of epic proportions when director Rob Eggers(The VVitch, The Lighthouse) asked them to create the score for his ambitious and highlyanticipated new film The Northman, releasing on April 22nd. They needed to make ascore that both honored the immense research that had gone into the authenticity of thisViking era period piece and complimented the cinematic maximalism of the film for amodern audience. The artists stretched themselves to the depths of their creativity and theresulting album is a gorgeous sonic tableaux that places the listener right in the center ofthe film.While arranging the score the composers consulted musician and ethnographer PoulHøxbro for inspiration and insight into the history of Viking music. Having backgroundsin left field electronic music, Robin and Sebastian felt liberated by the constraint of usinga small selection of musical tools for this piece. InchElectronic music has almost limitlesspotential when it comes to making sounds and that's obviously an incredible thing, butyou can also go down the wormhole and get lost in it sometimes. There's no risk ofthat happening when you only have a few primary instruments to draw upon.Inch Robinremarked.They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, andsäckpip to build the cinematic world of The Northman but they also took creativefreedoms in adding instruments likes drums, which some academics believe wouldn'thave played a big part in Viking musical culture, simply due to the lack of archaeologicalevidence of actual drums. InchOne of the pieces we wrote was intended to emulate the soundof

Limited 180 gram vinyl LP pressing of this classic album from the British rock legends. The original vinyl packaging has been lovingly replicated with special care. The Piper At The Gates Of Dawn is one of the seminal psychedelic rock albums of the 1960s. The band's debut album, features the band's original lineup Syd Barrett, Roger Waters, Richard Wright, and Nick Mason. Includes the classic songs InchAstronomy DomineInch, InchLucifer SamInch and InchInterstellar OverdriveInch. The album, named after the title of chapter seven of Kenneth Grahame's The Wind in the Willows and featuring a kaleidoscopic cover photo of the band taken by Vic Singh, was recorded from February to May 1967 and released on 5 August 1967. It was produced by Beatles engineer Norman Smith and released in 1967. Album Tracks 1. Astronomy Domine 2. Lucifer Sam 3. Matilda Mother 4. Flaming 5. Pow R. Toc H 6. Take Up Thy Stethoscope and Walk 7. Interstellar Overdrive 8. The Gnome 9. Chapter 24 10. The Scarecrow 11. Bike

Limited 180gm vinyl LP pressing. From the first bars of the immediately recognizable 'Alamode', this album is an explosion of beauty. This first sextet iteration of Art Blakey's Jazz Messengers includes a young Wayne Shorter (tenor saxophone), Lee Morgan (trumpet), Curtis Fuller (trombone), Bobby Timmons (piano) and Jymie Merritt (bass). The band ferociously pushes the pace with each track, leaving no prisoners in their wake.

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX