Andre Bratten - Silvester - VINYL LP
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A lot has been written about seminal Norwegian black metal band Mayhem but André Bratten's new record for Smalltown Supersound surfaces a little known story about the group. In 1986-87, years before their 1993 debut record, guitarist Øystein Aarseth (aka Euronymous) took a musical pilgrimage to Germany to solicit collaboration with one of his musical heroes. Øystein, who tragically was destined to be murder by former member Varg Vikernes in 1993, bought an Interrail ticket and travelled from Norway to Germany to seek out experimental musician Conrad Schnitzler. Conrad was the founder of West German Krautock incubating club the Zodiac Free Arts Lab in West Berlin in 1968 and a former member of Tangerine Dream and Kluster (key experimental groups in the development of industrial music and Kosmiche electronic music). Øystein sat outside Schnitzler's house and refused to leave until he was allowed in to talk. His persistence paid off, with Schnitzler surprisingly agreeing to write a piece of music for Mayhem. The piece of music became InchSilvester AnfangInch, the first track and introduction to Mayhem's classic debut InchDeathcrushInch. A detailed percussive number, Mayhem still open their heavy live shows with this music today. When Mayhem founder Jørn InchNecrobutcherInch Stubberud told the story behind InchSilvester AnfangInch to Bratten at a party, they immediately had the idea that Bratten should remix or rework this little known track. Totally absorbed in the sounds of Schnitzler and it's strange and unusual pairing with Mayhem, Bratten started out with a plan to make one remix. He ended up with a series of tracks inspired by both Schnitzler's intro and the sounds of the debut record InchDeathcrushInch. The results transpired into a mutation of Conrad Schnitzler, Mayhem and André Bratten. InchSilvesterInch is Mayhem and Schnitzler reimagined. Or deconstructed and t
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- GenreDance and electronicDescriptionA lot has been written about seminal Norwegian black metal band Mayhem but André Bratten's new record for Smalltown Supersound surfaces a little known story about the group. In 1986-87, years before their 1993 debut record, guitarist Øystein Aarseth (aka Euronymous) took a musical pilgrimage to Germany to solicit collaboration with one of his musical heroes. Øystein, who tragically was destined to be murder by former member Varg Vikernes in 1993, bought an Interrail ticket and travelled from Norway to Germany to seek out experimental musician Conrad Schnitzler. Conrad was the founder of West German Krautock incubating club the Zodiac Free Arts Lab in West Berlin in 1968 and a former member of Tangerine Dream and Kluster (key experimental groups in the development of industrial music and Kosmiche electronic music). Øystein sat outside Schnitzler's house and refused to leave until he was allowed in to talk. His persistence paid off, with Schnitzler surprisingly agreeing to write a piece of music for Mayhem. The piece of music became InchSilvester AnfangInch, the first track and introduction to Mayhem's classic debut InchDeathcrushInch. A detailed percussive number, Mayhem still open their heavy live shows with this music today. When Mayhem founder Jørn InchNecrobutcherInch Stubberud told the story behind InchSilvester AnfangInch to Bratten at a party, they immediately had the idea that Bratten should remix or rework this little known track. Totally absorbed in the sounds of Schnitzler and it's strange and unusual pairing with Mayhem, Bratten started out with a plan to make one remix. He ended up with a series of tracks inspired by both Schnitzler's intro and the sounds of the debut record InchDeathcrushInch. The results transpired into a mutation of Conrad Schnitzler, Mayhem and André Bratten. InchSilvesterInch is Mayhem and Schnitzler reimagined. Or deconstructed and tArtistAndre BrattenTitleSilvesterFormatVINYLLabelSmalltown Supersound
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A lot has been written about seminal Norwegian black metal band Mayhem but André Bratten's new record for Smalltown Supersound surfaces a little known story about the group. In 1986-87, years before their 1993 debut record, guitarist Øystein Aarseth (aka Euronymous) took a musical pilgrimage to Germany to solicit collaboration with one of his musical heroes. Øystein, who tragically was destined to be murder by former member Varg Vikernes in 1993, bought an Interrail ticket and travelled from Norway to Germany to seek out experimental musician Conrad Schnitzler. Conrad was the founder of West German Krautock incubating club the Zodiac Free Arts Lab in West Berlin in 1968 and a former member of Tangerine Dream and Kluster (key experimental groups in the development of industrial music and Kosmiche electronic music). Øystein sat outside Schnitzler's house and refused to leave until he was allowed in to talk. His persistence paid off, with Schnitzler surprisingly agreeing to write a piece of music for Mayhem. The piece of music became InchSilvester AnfangInch, the first track and introduction to Mayhem's classic debut InchDeathcrushInch. A detailed percussive number, Mayhem still open their heavy live shows with this music today. When Mayhem founder Jørn InchNecrobutcherInch Stubberud told the story behind InchSilvester AnfangInch to Bratten at a party, they immediately had the idea that Bratten should remix or rework this little known track. Totally absorbed in the sounds of Schnitzler and it's strange and unusual pairing with Mayhem, Bratten started out with a plan to make one remix. He ended up with a series of tracks inspired by both Schnitzler's intro and the sounds of the debut record InchDeathcrushInch. The results transpired into a mutation of Conrad Schnitzler, Mayhem and André Bratten. InchSilvesterInch is Mayhem and Schnitzler reimagined. Or deconstructed and t

The album was made between 2012 - 2015 in Oslo he sites artists like Giacinto Scelsi, Arvo Pärt, Gescom/AE, Brian Eno and Norwegian compatriot Biosphere as inspiration.“Gode” has a dual meaning in Norwegian. It’s a Middle English word that gave us the modern English word “Goad” (meaning to provoke or annoy). On the one hand it literally means “cattle prod”, a farming tool used to round up cattle. But it also came to mean “a right or privilege” as the cattle prod came to symbolize the indentured labor of the Norwegian rural working class. The land owning aristocrats would exploit the people as if they were so much livestock. Like a stark black & white film, the record is a meditation on the darker days of Norway’s past, before the country discovered its oil wealth. From 1900 – 1939 it was one of Europe’s poorest countries, beset by illness and starvation even. Rural poor depended completely on their families and had more children to work the land. Only the privileged could afford to make art, and Bratten thinks of the void all the music and art from the poorest families that was lost. “Gode” is a hymn to those people. If it sounds like Bratten is something of a natural storyteller, it might be connect to his other work. After dropping out of music college in his teens, he got a job as a sound technician at Oslo’s leading contemporary performing arts theatre, Black Box Theatre. With his natural ability, it wasn’t long before he went from sound tech to composing music for leading contemporary theatre groups, all by the age of 21. He released his debut album “Be A Man You Ant” on Full Pupp tag in 2013 and quickly followed-up with the club hit “Trommer Og Bass” on Berlin's Correspondant tag. Bratten then signed to Smalltown Supersound who in June 2015 released the 6-track mini-album “Math Ilium Ion”.“Gode” is Bratten giving free rein to his imagination and further deepenin

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CD reissue of this album from the Candian singer, songwriter and musician. Colin James and the Little Big Band II is a swing-jive album by Colin James, released in 1999. Colin James and the Little Big Band II earned James the 1999 Juno Award for InchBest ProducerInch.
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